Hugh Tremont Montague - code name HARLOT - is one of the grand old men of the CIA, a man obsessed and nearly - but not quite - the WASP patrician he seems to be. The narrator of Harlot's story is Harry Hubbard, whose famous father also belongs to the foudning generation of the CIA. Harry lives in the shadow of both men, but what he does not sense ...Read MoreHugh Tremont Montague - code name HARLOT - is one of the grand old men of the CIA, a man obsessed and nearly - but not quite - the WASP patrician he seems to be. The narrator of Harlot's story is Harry Hubbard, whose famous father also belongs to the foudning generation of the CIA. Harry lives in the shadow of both men, but what he does not sense is the core of madness fromwhich Harlot's remarkable energies emanate, and the demons at the heart of American history...Read Less
Publishers Weekly, 1991-08-16 Those who quail at the prospect of a 1400-page novel by the author of Ancient Evenings and Tough Guys Don't Dance need have no fear. Mailer's newest effort, a mammoth imagining of the CIA that puts all previous fictions about the Agency in the shade, reads like an express train. Never has he written more swiftly and surely, more vividly and with less existential clutter. A contemporary picaresque yarn, Harlot's Ghost bears more than a slight resemblance to those great 18th-century English novels that chronicle the coming-of-age of a young rogue with good connections. Harry Hubbard is a bright young man whose father and whose mentor, Hugh Montague (also known as Harlot), are both senior CIA figures and induct him into the Agency. Most of the book, after a melodramatic beginning, is one long flashback, Harry's autobiographical account of his early career--partly in his own words, partly in an exchange of letters with Harlot's beautiful, brilliant wife, Kittredge, whom Harry admires from afar and will one day steal. He is seen in training in the '50s under real-life figures like Allen Dulles and Dick Bissell, and with the martini-swigging, pistol-toting William Harvey at his first post in Berlin--where he meets Dix Butler, who becomes in a sense his nemesis. A quiet spell in Montevideo under Howard Hunt follows, then he goes to Washington, where he watches the Bay of Pigs fiasco and the Cuban missile crisis develop--and becomes the lover of President Kennedy's mistress. The book winds down with Kennedy's assassination and a sense of growing despair, only to conclude with a gnomic ``To Be Continued.'' Whether or not there is really to be a sequel, Harlot's Ghost is entirely self-contained, and a bravura performance. In an author's note listing his voluminous sources and the relation of fictional to nonfictional characters, Mailer claims that good fiction ``is more real, more nourishing to our sense of reality, than nonfiction.'' The book is an utterly convincing portrait of that strange, snobbish, macho, autocratic collection of brainy misfits who have played so large and often tragic a role in American history. BOMC main selection; first serial to Rolling Stone. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited, Baker & Taylor, Inc., or by their respective licensors, or by the publishers, or by their respective licensors. For personal use only. All rights reserved. All rights in images of books or other publications are reserved by the original copyright holders.