1820s Britain: after the wars with France, when unemployment was high and soldiers could be paid off, when the government was desperately afraid of social unrest, any crime was drastically punished and thousands were hung. But one could petition the King and an investigation might ensue...The man in the dark cell in Newgate Prison was due to hang ...
1820s Britain: after the wars with France, when unemployment was high and soldiers could be paid off, when the government was desperately afraid of social unrest, any crime was drastically punished and thousands were hung. But one could petition the King and an investigation might ensue...The man in the dark cell in Newgate Prison was due to hang in a week. He had been found guilty of murdering the aristocrat whose portrait he was painting. He claimed to be innocent - but then the hangman had never hung a guilty man, he said. But even in 1820, the Home Secretary could occasionally use his powers to grant mercy if his investigator found cause and Rider Sandman, once of the First Foot Guards, is given the job. Rider Sandman, a hero of Waterloo, has family debts to repay but when his first steps in the investigations produce a sizeable bribe to look the other way, this only arouses his smouldering anger over the condition of England, a country which he and others in Wellington's army had fought to preserve. Stepping between gentlemen's clubs and taverns, talking to aristocrats, fashionable painters, their models, and their mistresses, dodging professional cut-throats and deceptive swordsmen, Sandman uncovers a conspiracy of silence, a group whose proudest boast was that they would do anything for any one of them. Sandman is a wonderful character, as yet undaunted by the sleazy streets, dank jails or the looming scaffold, and uncorrupted by politicians, sneering gentlemen or frightening bruisers, an investigator in the making and a brilliant, but very different, hero for all Bernard Cornwell fans.
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Publishers Weekly, 2002-04-29 Fans of Cornwell's gallant up-from-the-ranks rifleman, Richard Sharpe, will welcome the upright Captain Rider Sandman, a veteran, like Sharpe, of Waterloo and the Peninsula campaign, in a mystery that highlights the horrors of capital punishment in Regency England. Compelled as a civilian to play cricket to earn a bare living in the wake of his disgraced father's financial ruin and suicide, Sandman can hardly refuse the Home Secretary's job offer of looking into the case of Charles Corday, a portrait painter convicted of murdering the Countess of Avebury. Since Corday's mother has the ear of Queen Charlotte, someone has to go through the motions of confirming Corday's guilt before he goes to the scaffold. Sandman, though, soon realizes that the man is innocent, and to prove it he has to locate a servant girl who was a likely witness to the countess's murder and has now disappeared. Sandman's investigation leads him to confront the corrupt and decadent members of London's Seraphim Club, but fortunately his reputation as a brave battlefield officer turns into allies any number of ex-soldier ruffians who might otherwise have given him trouble. The suspense mounts as Sandman must race the clock to prevent a miscarriage of justice at the nail-biting climax. An unresolved subplot involving our hero's ex-fiancEe, who still loves him despite his fall into poverty, suggests that Sandman will be back for further crime-solving adventures. Traditional historical mystery readers should cheer. (May 5) Forecast: Since the Sharpe series already has a strong following among mystery fans, it should be easy for Cornwell to build on that audience if this is indeed the start of a new crime series. He is also the author of two other historical series, the Nathaniel Starbuck Chronicles and the Warlord Chronicles. (c) Copyright PWxyz, LLC. All rights reserved
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