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Description:Very good. Book has appearance of only minimal use. All pages...Very good. Book has appearance of only minimal use. All pages are undamaged with no significant creases or tears. With pride from Motor City. All books guaranteed. Best Service, Best Prices.
Description:Good. 0131894048 ~Used book, in good condition | No supplements...Good. 0131894048 ~Used book, in good condition | No supplements | Normal wear to cover and spine | Page markings | Inventory stickers present | Satisfaction guaranteed!
Description:Very Good. No Jacket. Size: 8vo-over 7¾"-9¾" tall; Trade...Very Good. No Jacket. Size: 8vo-over 7¾"-9¾" tall; Trade Paperback in Very Good Condition. 37 b/w in-text illustrations and 5 diagrams. Hinged heavy card green cover with white, yellow and red titles, slight rubbing to front corners and bottom edge. Pages edges clean and white. Seven pages with pencil underlined text. one appears partially erased. Otherwise, internals very clean, no other markings, no creases, pages white. Tight glued binding. A clear introduction to the critical theories behind art historical practice. In outlining some of the most current and widely used theoretical perspectives, Anne D'Alleva helps the reader to understand the ideas that have shaped art history over the centuries. An invaluable book for the art history student or anyone seriously interested in art.186 pages with Notes and Index. 5.5 x 8.25 inches. Prentice Hall, Upper Saddle River, NJ 2004.
Description:Good. TEXT ONLY. NO ACCESS CODE. Used texts with varying degrees...Good. TEXT ONLY. NO ACCESS CODE. Used texts with varying degrees of highlighting and wear. Email for details. Could be a former library book.
Description:Like New. UNREAD, Like new, softcover, slight shelf wear,...Like New. UNREAD, Like new, softcover, slight shelf wear, Previous owner's name Satisfaction Guaranteed, Personal Service, International Shipping Available. Photos by Request.
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