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Description:Acceptable. The book is a readable copy showing signs of wear...Acceptable. The book is a readable copy showing signs of wear and the pages are intact. The cover may have some creases or minor tears. The dust jacket (if applicable) may be missing. The book may be an ex-library book. The book may contain: a publisher remainder mar All orders guaranteed and ship within 24 hours. Your purchase supports More Than Words, a nonprofit job training program for youth, empowering youth to take charge of their lives by taking charge of a business.
Description:Very Good in Very Good dust jacket. Hardcover. 4to. Abbeville...Very Good in Very Good dust jacket. Hardcover. 4to. Abbeville Press. 1985. 244 pgs. DJ in VG shape with light shelfwear present to the DJ. Previous owners name present to the FFEP. Text is clean and free of marks, binding tight and solid, boards clean with no wear present. Photos sent upon request. Bx-37; 4to 11"-13" tall; 244 pages.
Description:Good. 0896595765 USED BOOK in good condition | No supplements |...Good. 0896595765 USED BOOK in good condition | No supplements | Normal wear to cover and spine | Corner wear | Inventory sticker present | Corners rubbed | Page markings/highlighting.
Publisher: The Corcoran Gallery of Art and Abbeville,
Description:Fine in fine dust jacket. Unclipped dust jacket; with an essay...Fine in fine dust jacket. Unclipped dust jacket; with an essay by Dawn Ades; burgundy cloth; fine in fine dustjacket; a spectacular copy of the best book on the subject; photograph is of copy for sale.
Description:Used-Very Good. Much has been written about Surrealist painting...Used-Very Good. Much has been written about Surrealist painting and sculpture, but most of the erotic, disorienting, and exquisite Surrealist photographs of Man Ray, Marcel Duchamp, Max Ernst, Andre Breton, Brassai, Salvador Dali, Andre Kertesz, and Hans Bellmer have remained all but unknown--until now. Traditional criticism has viewed Surrealist photography as a pale imitation of authentic Surrealist work. The assumption has been that photography, a realistic medium, is fundamentally incompatible with a cause devoted to the wildly subjective, the world of dreams, and the unconscious. As a consequence, Surrealist photography, a major body of twentieth-century art, has remained largely unexplored.
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