Winner of the Man Booker Prize 2012 With this historic win for BRING UP THE BODIES, Hilary Mantel becomes the first British author and the first woman to be awarded two Man Booker Prizes, as well as being the first to win with two consecutive novels. Continuing what began in the Man Booker Prize-winning WOLF HALL, we return to the court of Henry ...Read MoreWinner of the Man Booker Prize 2012 With this historic win for BRING UP THE BODIES, Hilary Mantel becomes the first British author and the first woman to be awarded two Man Booker Prizes, as well as being the first to win with two consecutive novels. Continuing what began in the Man Booker Prize-winning WOLF HALL, we return to the court of Henry VIII, to witness the irresistible rise of Thomas Cromwell as he contrives the destruction of Anne Boleyn. By 1535 Cromwell is Chief Minister to Henry, his fortunes having risen with those of Anne Boleyn. But the split from the Catholic Church has left England dangerously isolated, and Anne has failed to give the king an heir. Cromwell watches as Henry falls for plain Jane Seymour. Negotiating the politics of the court, Cromwell must find a solution that will satisfy Henry, safeguard the nation and secure his own career. But neither minister nor king will emerge unscathed from the bloody theatre of Anne's final days. An astounding literary accomplishment, BRING UP THE BODIES is the story of this most terrifying moment of history, by one of our greatest living novelists.Read Less
Publishers Weekly, 2012-06-25 In Mandel's taut sequel to Wolf Hall, Henry VIII and Anne Boleyn have been married for more than two years, but unable to produce a male heir. Boleyn's position becomes tenuous-especially with Thomas Cromwell and young lady-in-waiting Jane Seymour working against her. Narrator Simon Vance shines in his portrayal of the characters, creating a range of distinct voices-including the increasingly tense Anne Boleyn and the earnest Gregory, Cromwell's mild-mannered young son who is eager to prove himself. Best of all, however, are the measured tones Vance employs for the conniving Cromwell. The narrator captures the soul of this complex character, a man of innate pragmatism and confidence who is also quietly haunted by regrets. Vance also nails the bone-dry wit of the character. In all, this is an exemplary audiobook. A Henry Holt hardcover. (May) (c) Copyright PWxyz, LLC. All rights reserved.
Publishers Weekly, 2012-04-02 When last we saw Thomas Cromwell, hero of Mantel's 2009 Man Booker Prize-winning Wolf Hall, he'd successfully moved emperors, queens, courtiers, the pope, and Thomas More to secure a divorce and a new, younger queen for his patron, Henry the VIII. Now, in the second book of a planned trilogy, Cromwell, older, tired, with more titles and power, has to get Henry out of another heirless marriage. The historical facts are known: this is not about what happens, but about how. And armed with street smarts, vast experience and connections, a ferociously good memory, and a patient taste for revenge, Mantel's Cromwell is a master of how. Like its predecessor, the book is written in the present tense, rare for a historical novel. But the choice makes the events unfold before us: one wrong move and all could be lost. Also repeated is Mantel's idiosyncratic use of "he:" regardless of the rules of grammar, rest assured "he" is always Cromwell. By this second volume, however, Mantel has taught us how to read her, and seeing Cromwell manipulate and outsmart the nobles who look down on him, while moving between his well-managed domestic arrangements and the murky world of accusations and counteraccusations is pure pleasure. Cromwell may, as we learn in the first volume, look "like a murderer," but he's mighty good company. Agent: Bill Hamilton, A.M. Heath. (June) (c) Copyright PWxyz, LLC. All rights reserved.
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