In his first major work of fiction since The Satanic Verses--and his first collection of stories--Salman Rushdie reveals the intricate intimacies and ...Show synopsisIn his first major work of fiction since The Satanic Verses--and his first collection of stories--Salman Rushdie reveals the intricate intimacies and unabridgeable distances between the East and the West. Throughout this collection of nine stories of extraordinary range and power, Rushdie remains a writer who insists on our cultural complexity; who confidently rises beyond ideology, refusing to choose between the East and West.Hide synopsis
Description:New in J New jacket. Book is square and solid, clearly unread;...New in J New jacket. Book is square and solid, clearly unread; the dust jacket is sharp--you'll trumpet like a bull elephant once this book arrives at your door! ! ! NOTE: Few little speckles of age-spotting to the page tops, really minor.
Description:New in new dust jacket. DJ protected in acid free mylar cover....New in new dust jacket. DJ protected in acid free mylar cover. Retail priced at $21, purchase this copy for $10 discount. Sewn binding. Cloth over boards. 214 p. Audience: General/trade. Nine stories bridge gap between East and West.
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Rushdie is most famous for his full length novels, articles and essays but this collection brings to light Rushdie's talent for short stories. This an excellent selection of creative, funny, and diverse stories in true Rushdie style. The real standouts for me are "The Free Radio" which looks at the stories and dreams people tell themselves, "The Prophet's Hair" which is an interesting "Twilight Zone"-esque parable, "The Auction of the Ruby Slippers" which problematizes notions of "home" and possession, "Yorick" which is an ingenious re-telling of Hamlet with a brilliant narrative voice, "Chekov and Zulu" which thematically tries to blend Star Trek, assassination, nationalism, and racism, and the "Courter" which introduces a much more sombre and reflective narrator in contrast to the darker narrator of "The Harmony of the Spheres".
The book is organized as "East", "West" and "East, West" and one of the characters describes feeling pulled either East or West and having to choose between one or the other. But why does one have to choose? Isn't it really a false dichotomy? I think this book exemplifies a certain period in Rushdie's life where he perhaps thought that the two were irreconcilable and there are numerous examples presented where the East and West conflict with one another. But it all depends on how one chooses to define the "East" vs/in relation to/opposite/additional to something amorphously categorized as the "West"...
I'm inclined to have a hopeful reading of the book.
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