Recently evacuated to the British countryside and with World War Two raging around her, one young girl is struggling to make sense of her life. Then she is given a book of ancient Norse legends and her inner and outer worlds are transformed. Intensely autobigraphical and linguistically stunning, this book is a landmark work of fiction from one of ...
Recently evacuated to the British countryside and with World War Two raging around her, one young girl is struggling to make sense of her life. Then she is given a book of ancient Norse legends and her inner and outer worlds are transformed. Intensely autobigraphical and linguistically stunning, this book is a landmark work of fiction from one of Britain's truly great writers. Intensely timely it is a book about how stories can give us the courage to face our own demise. The Ragnarok myth, otherwise known as the Twilight of the Gods, plays out the endgame of Norse mythology. It is the myth in which the gods Odin, Freya and Thor die, the sun and moon are swallowed by the wolf Fenrir, the serpent Midgard eats his own tale as he crushes the world and the seas boil with poison. It is only after such monstrous death and destruction that the world can begin anew. This epic struggle provided the fitting climax to Wagner's Ring Cycle and just as Wagner was inspired by Norse myth so Byatt has taken this remarkable finale and used it as the underpinning of this highly personal and politically charged retelling
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Publishers Weekly, 2011-10-03 It is apt that Booker Prize-winning English writer Byatt chooses to locate her reimagining of the Norse myth Asgard and the Gods, which describes the destruction of the world, during that most apocalyptic of times in British history, the blitz. The little girl at the center of the story, whom we know only as "the thin child," has been evacuated, with her mother, from London to the idyllic countryside. Her father is a fighter pilot who's "in the air, in the war, in Africa, in Greece, in Rome, in a world that only exist[s] in books." The thin child goes to church and reads Pilgrim's Progress, but finds the concept of "gentle Jesus" naive and untenable in the face of war. Asgard and the Gods, on the other hand, provides, if not a more believable narrative, one that at least reflects the world she lives in: "It was a good story, a story with meaning, fear and danger were in it, and things out of control." The only question that nags at her is how "the good and wise Germans" who wrote it can be the same people bringing terror to the skies over her head at night. Told in lush prose, describing vividly drawn gods and their worlds, this is a book that brings the reader double pleasure; we return to the feeling of reading-or being read-childhood myths, but Byatt (Possession) also invites us to grapple with very grown-up intellectual questions as well. A highly unusual and deeply absorbing book. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved.
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