The Orange Prize winning debut from a truly extraordinary talent. 'Having sifted through everything I have heard about the tiger and his wife, I can tell you that this much is fact: in April of 1941, without declaration or warning, the German bombs started falling over the city and did not stop for three days. The tiger did not know that they were ...
The Orange Prize winning debut from a truly extraordinary talent. 'Having sifted through everything I have heard about the tiger and his wife, I can tell you that this much is fact: in April of 1941, without declaration or warning, the German bombs started falling over the city and did not stop for three days. The tiger did not know that they were bombs...' A tiger escapes from the local zoo, padding through the ruined streets and onwards, to a ridge above the Balkan village of Galina. His nocturnal visits hold the villagers in a terrified thrall. But for one boy, the tiger is a thing of magic - Shere Khan awoken from the pages of The Jungle Book. Natalia is the granddaughter of that boy. Now a doctor, she is visiting orphanages after another war has devastated the Balkans. On this journey, she receives word of her beloved grandfather's death, far from their home, in circumstances shrouded in mystery. From fragments of stories her grandfather told her as a child, Natalia realises he may have died searching for 'the deathless man', a vagabond who was said to be immortal. Struggling to understand why a man of science would undertake such a quest, she stumbles upon a clue that will lead her to a tattered copy of The Jungle Book, and then to the extraordinary story of the tiger's wife.
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Publishers Weekly, 2011-01-17 The sometimes crushing power of myth, story, and memory is explored in the brilliant debut of Obreht, the youngest of the New Yorker's 20-under-40. Natalia Stefanovi, a doctor living (and, in between suspensions, practicing) in an unnamed country that's a ringer for Obreht's native Croatia, crosses the border in search of answers about the death of her beloved grandfather, who raised her on tales from the village he grew up in, and where, following German bombardment in 1941, a tiger escaped from the zoo in a nearby city and befriended a mysterious deaf-mute woman. The evolving story of the tiger's wife, as the deaf-mute becomes known, forms one of three strands that sustain the novel, the other two being Natalia's efforts to care for orphans and a wayward family who, to lift a curse, are searching for the bones of a long-dead relative; and several of her grandfather's stories about Gavran Gaile, the deathless man, whose appearances coincide with catastrophe and who may hold the key to all the stories that ensnare Natalia. Obreht is an expert at depicting history through aftermath, people through the love they inspire, and place through the stories that endure; the reflected world she creates is both immediately recognizable and a legend in its own right. Obreht is talented far beyond her years, and her unsentimental faith in language, dream, and memory is a pleasure. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved.
Publishers Weekly, 2011-05-02 Obreht, named last year as one of the New Yorker's 20 novelists to watch under the age of 40, makes her debut with this magical-realist evocation of a country in wartime. The author, herself an immigrant to the U.S. from the former Yugoslavia, transforms a young woman's memories of her grandfather's stories into a kaleidoscopic portrait of her former country's traumatic history. The book is read in tag-team fashion by Susan Duerden and Robin Sachs. Sachs sounds gravelly, grouchy, and well-pickled in various alcoholic libations; Duerden is British, plummy, arch, and delicate in her intonations, reverberating into near-Cockney working-class tone. The unlikely combination is surprisingly pleasing, nicely matching the contrast between Obreht's elaborate storytelling conceit and its grubby, homely details. A Random hardcover. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved.
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