When Viking published Borges's Collected Fictions last September, the book received nationwide acclaim. Richard Bernstein in The New York Times hailed the publication as "an event, and cause for celebration." The celebration continues this April with the next installment in Vikings projected three-volume set of the Collected Work: a new selection ...
When Viking published Borges's Collected Fictions last September, the book received nationwide acclaim. Richard Bernstein in The New York Times hailed the publication as "an event, and cause for celebration." The celebration continues this April with the next installment in Vikings projected three-volume set of the Collected Work: a new selection of Borges's finest poems edited by Alexander Coleman. Selected Poems brings together some two hundred poems -- the largest collection of Borges's poetry ever assembled in English, including many never previously translated. The selection draws from a lifetime's work -- from Borges's earliest work in the 20s, his debut Fervor de Buenos Aires (1923), to his final poetic work, Los Conjurados (1985). Throughout the volume, the brilliance of the Spanish originals is matched with luminous English versions rendered by a remarkable cast of translators, among them W. S. Merwin, John Updike, Robert Fitzgerald, Mark Strand and Alastair Reid.
Near fine(-) copy w/ just slight bumping to outside corners. Signed by the author on title page. translated from the Spanish by Anthony Kerrigan. 10 1/8"x 6 3/8" blue, stapled wraps, printed orange & black; 23 pgs; contains 8 poems; prefatory note by Kerrigan; not called for, but signed by Borges (w/ a shaky hand); very scarce thus.
Publishers Weekly, 1999-03-29 After a few decades devoted to the luminously precise prose for which he is known in the States, Borges (1899-1986), who began his career writing poetry, returned to it with fervor. This edition makes available for the first time in English an overview of every phase of his poetic oeuvre. Although his earliest book (1923's Fervor de Buenos Aires) represents a youthful Borges more directly concerned with the specific, local and vernacular, he develops his mature themes?time, imagination, and identity?throughout. Taken together, the poems distill those concerns, which famously preoccupy him in the brief ficciones. And, like the fictions, they are almost disturbingly comprehensible. One peak of the collection is 1960's The Maker, showing Borges at his most defined and refined, presenting sophisticated riffs on Arisosto, Luke and "The Other Tiger" with elegance and gusto. The poems of 1969's In Praise of Darkness confront encroaching blindness, old age and the possibility of ethics, reaching beyond the expectations created by Borges's mastery of the fantastic and the metaphysical. The result is poems at times as moving as Stevens's "The Rock." The translations, edited by New York Univ. professor emeritus Coleman, and realized by varying hands as accomplished as W.S. Merwin, Mark Strand and Charles Tomlinson, are for the most part fluid, although the occasional infelicity, revealed by the original en face, does rankle. Still, gratitude is the only proper response to this invaluable volume, the second of three planned releases. First serial to Harper's and the Los Angeles Times Book Review. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved
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