Mark Twain's witty, satirical tale of childhood rebellion against hypocritical adult authority, the "Penguin Classics" edition of "The Adventures of Huckleberry Finn" is edited with a critical introduction by Peter Coveney. Mark Twain's story of a boy's journey down the Mississippi on a raft conveyed the voice and experience of the American ...
Mark Twain's witty, satirical tale of childhood rebellion against hypocritical adult authority, the "Penguin Classics" edition of "The Adventures of Huckleberry Finn" is edited with a critical introduction by Peter Coveney. Mark Twain's story of a boy's journey down the Mississippi on a raft conveyed the voice and experience of the American frontier as no other work had done before. When Huck escapes from his drunken, abusive 'Pap' and the 'sivilizing' Widow Douglas with runaway slave Jim, he embarks on a series of adventures that draw him to feuding families and the trickery of the unscrupulous 'Duke' and 'Dauphin'. Beneath the exploits, however, are more serious undercurrents - of slavery, adult control and, above all, of Huck's struggle between his instinctive goodness and the corrupt values of society which threaten his deep and enduring friendship with Jim. Based on the first edition of 1884, "The Adventures of Huckleberry Finn" includes a chronology and list of further reading by Richard Maxwell. Samuel Langhorne Clemens (1835-1910) trained as a steamboat pilot on the Mississippi river; 'Mark Twain', a phrase used on riverboats to indicate that the water is two fathoms deep, became the pseudonym by which he was best known. After the Civil War, Twain turned to journalism, publishing his first short story in 1865. Dubbed 'the father of American literature' by William Faulkner, Twain led a colourful life of travelling, bankruptcy and great literary success. If you enjoyed "The Adventures of Huckleberry Finn", you may like Mark Twain's "The Adventures of Tom Sawyer", also available in "Penguin Classics". "All modern American literature comes from one book by Mark Twain called Huckleberry Finn...There has been nothing as good since." (Ernest Hemingway). "Huckleberry Finn, like other great works of imagination, can give to every reader whatever he is capable of taking from it." (T.S. Eliot).
Published in the United States in 1885, Adventures of Huckleberry Finn portrays the continuing story of one of the main characters first introduced in Mark Twain's The Adventures of Tom Sawyer. Wanting to escape his abusive father, Huck runs away. Huck is joined with Jim, a runaway slave who fears being sold. Huck and Jim encounter all sorts of adventures and unique people on their way down the Mississippi River. The book also serves as a commentary on slavery and race relations in the nineteenth century. Thus, there is much more to this book than a boy simply narrating his adventures as he runs away with an escaped slave. True, the book uses words which would be considered offensive by present standards; moreover, some would say that this is a racist book. However, the book must be interpreted and analyzed in the time in which it was written. With this book, Mark Twain capably presents a social issue from the perspective of a boy seeking a better situation. I found Huck Finn more enjoyable as I read it right after I finished Tom Sawyer; while one does not have to read Tom Sawyer to understand Huck Finn, one will get a lot more out this book if the prequel is read first.
Mar 3, 2011
Book in very good shape. Was sent out and arrived in great shape and promptly. Would recommend to anyone
Dec 29, 2009
read it for a reason
I call this an onion (or parfait!) book, best understood by recognizing its layers. While many people "enjoy" Huck when they are children, it's best read by adults or teens with their eyes and ears open. Twain gives us harsh criticism of all American society, disguised as an adventure. The only decent human being in the book is Jim, and that was Twain's point. Twain wrote in reaction to how he saw people treating each other, but he knew no one would read it if it began "You all need to be nicer!" At every turn we get a semi-humorous event with a terribly dark underbelly. If you don't pay attention, you'll miss the very serious nature of this novel.
Sep 27, 2009
Huck & Jim's Serendipitous Salvation
Of all the endings possible for 'Huckleberry Finn,' only one would have made any sense. My own, uneducated guess is that Mark Twain didn't want (or didn't have the courage) to go that way, so he tacked on a resolution clapped together from maudlin slop and preposterous coincidence. When I put my mean eye on 'Huck Finn,' I can literally see where the fix was thrown in. It couldn't be clearer had the author drawn a line across the bottom of chapter 31.
Thus what might have been one of the world's great tragedies became what is yet one of the world's great pieces of kiddie lit. The world declares it so and so it will remain, which is some consolation because the book remains a tragedy of a sort.
The world needs kiddie lit, whether adults enjoy it or not. That's why 'Huckleberry Finn' will outlast ten thousand writers like me. It will survive all attempts to pry it out of its place in the canon and future generations will have to suffer that awful resolution just as I did. Most people don't notice anything wrong with it, anyway.
The upshot is that 'Huck Finn' is immortal: it is a thing like warfare or venereal disease. And if (unlike most Americans) you've read all of Mark Twain, you know the old geezer would have chortled at and cherished that thought.
When I was a lad of nine years, I'd have rated "Huckleberry Finn" at six stars, my logic then being that five were not enough. Today, 61 years old, getting on toward the end of a hard life, I give it three stars for the three fourths of the book that are truly superb. The rest of it is goo.
Feb 26, 2009
It's a Classic, Right?
Don't get me wrong, Twain's a good writer, but calling this book the foundation of American literature is perhaps going a bit far in the praise department. Twain's address of race and youth in pre-Civil War Mississippi is a thought-provoking message for adults, but this books maybe isn't the children's book that it's been labeled as. Aside from the "N" word that covers every page, the very portrayal of Jim the runaway slave is awkward for those not of white descent. The story, also, descends into the kind of farcical rudeness that Tom Sawyer is famous for, so it's not exactly an idea adult book either. My advice is to buy it for your kid before they go to college and advise them to not bother reading anything past chapter 10. Then again, it's one of those books that you "ought" to read, so . . .
Publishers Weekly, 2013-11-25 Twain's classic novel describes the exploits of young Huckleberry Finn as he escapes his hometown and travels down the Mississippi River on a raft with escaped slave Jim. They encounter folks of all walks of life and repeatedly save one another from danger as they travel the American South. Eric G. Dove provides solid narration in this audio edition. Although his raspy, deep voice doesn't quite capture the youthful Huck and his naivete, Dove delivers a lively performance that boasts unique character voices and believable accents. And his pacing is perfect throughout: it's appropriate to the material and more than able to hold listener attention. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved.
Publishers Weekly, 1985-09-27 In this centenary year of the first American edition of Huckleberry Finn, Neider, who has worked long and well in the thickets of Twain scholarship (this is the ninth Twain volume he has edited), offers a most fitting tribute, for which he will be thanked in some quarters, damned in others. Neider's contribution is twofold: he has restored to its rightful place the great rafting chapter, which the author had lifted from the manuscript-in-progress and dropped into Life on the Mississippi, and he has abridged some of the childish larkiness in the portions in which Huck's friend Tom Sawyer intrudes into this novel. For decades, critics have lamented the absence of the ``missing'' chapter and deplored the jarring presence of Tom in episodes that slow the narrative, but not until now has anyone had the temerity to set matters right. In paring back the ``Tom'' chapters (which he fully documents in his lengthy, spirited introduction, with literal line counts of the excised material), Neider has achieved a brisker read. Though there may be some brickbats thrown at him for this ``sacrilege,'' few should object to the belated appearance of the transplanted rafting chapter in the novel in which it clearly belongs. October 25 (c) Copyright PWxyz, LLC. All rights reserved
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