Eight-year-old Lenny, spirited daughter of an affluent Parsee family, narrates the story of the breaking of India as she witnesses Muslims, Hindus, Christians, and Sikhs fight for their land and their lives during the dividing of the country into Hindu India and Muslim Pakistan in 1947. This 1991 Liberatur Prize winner, NYT Notable Book and ALA ...
Eight-year-old Lenny, spirited daughter of an affluent Parsee family, narrates the story of the breaking of India as she witnesses Muslims, Hindus, Christians, and Sikhs fight for their land and their lives during the dividing of the country into Hindu India and Muslim Pakistan in 1947. This 1991 Liberatur Prize winner, NYT Notable Book and ALA Notable nominee is now available in paperback for the first time.
New. 100% Money Back Guarantee. Brand New, Perfect Condition. We offer expedited shipping to all US locations. Over 3, 000, 000 happy customers. Trade paperback (US). Glued binding. 289 p. Intended for a juvenile audience.
When I received this signed copy of Cracking India, I was delighted to see what great shape it was in and I looked forward to reading a "new" Bapsi Sidwha" novel. To my surprise, I discovered that "Cracking India" is a new name for the old novel "Ice Candy Man" that I have in paper back and bought in Pakistan in the early 1990s and that Bapsi Sidwha graciously signed for me then. Sidwha is one of the most delightful authors I have ever read and I would recommend any of her books highly. I am happy to have the signed hardcover "Cracking India" book, but probably would not have bought it had I known it was "Old Wine in a New Bottle". Maybe, in your book blurbs you could let people know that this is an old novel w. a new name.
Publishers Weekly, 1991-07-25 The narrator of Sidwha's ( The Bride ) timely novel about the violent 1947 partition of India is the extremely observant Lenny Sethi, whose family belongs to the Parsee community in Lahore. As a child, a polio victim and a member of a minority, she is the perfect witness (though somewhat precocious) to the historic upheaval. Sidwha tempers Lenny's hyper-awareness, however, by capturing the whole range of her fears and joys as her innocence becomes another casualty of the violence among Moslems, Sikhs and Hindus. At one point Lenny declares: ``Lying doesn't become me. I can't get away with the littlest thing.'' Persuasive, this statement reinforces earlier comments she lets slip about herself which display this artless candor: ``the manipulative power of my limp''; ``I place a hypocritical arm protectively round her shoulders.'' Lenny's honesty is compelling, and the reader, like many in the story, cannot help but trust her. She is alternately thrilled and frightened by the events she dutifully records, and so, in the end, is the reader. (Sept.)
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