Max and Arthur are best friends who both want to make art. Arthur is an accomplished painter; Max is a beginner. Max's first attempt at using a paintbrush sends the two friends on a whirlwind adventure with paints, pastels and pencils, which turn out to have unexpected pitfalls. Heavily influenced by surrealist Salvador Dali, Wiesner has crafted a ...
Max and Arthur are best friends who both want to make art. Arthur is an accomplished painter; Max is a beginner. Max's first attempt at using a paintbrush sends the two friends on a whirlwind adventure with paints, pastels and pencils, which turn out to have unexpected pitfalls. Heavily influenced by surrealist Salvador Dali, Wiesner has crafted a fascinating story about friendship, creativity and the mysterious place where these two forces meet.
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Publishers Weekly, 2010-08-23 Three-time Caldecott winner Wiesner (Flotsam) introduces a desert lizard named Art, a self-important portrait painter who undergoes a metamorphosis, inside and out, when his pesky lizard friend, Max, decides he wants to paint, too. "What should I paint?" asks Max; the narcissistic Art says, "Well... you could paint me." Literal-minded Max begins applying blue to Art's knobbly skin. A series of philosophical questions arises: is Art still Art when his painted coat bursts off him mid-tantrum, like a reptilian sun gone nova? Is he still Art when Max douses him with water and the remaining color drains right out of him, rendering him transparent? Is he still Art when his outline collapses into a pile of tangled wire? As Max attempts to reconstruct his friend, an early effort has Art resembling a preschooler's spiky drawing of a monster ("More detail, I think," Art says drily). This small-scale and surprisingly comedic story takes place against a placid backdrop of pale desert colors, which recedes to keep the focus squarely on the dynamic between the two lizards and the wide range of emotions that Wiesner masterfully evokes. Ages 5-8. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.
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