Caleb Watson is not like the other children at his Washington, D.C., private school. Having skipped a grade--and being younger and smaller than the rest of the boys--he finds that his Southern accent and sensitive, reserved nature set him even further apart. Caleb simply does not belong. But on a field trip to the art museum, Caleb discovers his ...
Caleb Watson is not like the other children at his Washington, D.C., private school. Having skipped a grade--and being younger and smaller than the rest of the boys--he finds that his Southern accent and sensitive, reserved nature set him even further apart. Caleb simply does not belong. But on a field trip to the art museum, Caleb discovers his hero--his icon--when he is exposed to the art of Andy Warhol. In the beauty of the things that don't fit, in the art and philosophy of Pop plus the glorious camp of The Rocky Horror Picture Show and its creatures of the night, Caleb will find sanctuary, transforming himself and the eccentric friends he meets along the way into his own little version of Warhol's Factory.
Fair. Good copy for reading, may have heavy page wear with writing textual notes highlighting or be an heavily used ex library copy with library markings, stickers or stamps. Dust jacket or accessories may not be included.
Publishers Weekly, 2009-04-20 In this idiosyncratic bildungsroman set to a Britpop beat, an effeminate teenage boy coming of age in the '80s finds salvation in The Rocky Horror Picture Show and, especially, Andy Warhol. Born in Texas but raised in Washington, D.C., where he attends a series of exclusive private schools, Caleb Watson grows up feeling different until a seventh-grade field trip to the Hirshhorn Museum proves a life-altering experience when he is mesmerized by Andy Warhol's Marilyn Monroe's Lips. He quickly changes his appearance to resemble his new idol and begins to make Warhol-style movies with a crew of his own, including the beautiful Aaron, who is Caleb's partner in gay exploration; Sonia, his own personal Edie Sedgwick; and Brit, a young Marilyn look-alike and Rocky Horror aficionado who is really a runaway boy. Unfortunately, Caleb's story-his experiments with acid, suicide and sexual fetish-lacks cumulative dramatic power. Instead, the novel works best as a series of snapshots of the glammy 1980s and a depiction of the teenage outcasts who made Georgetown their hangout. (July) Copyright 2009 Reed Business Information.
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