Ordinarily presented as a self-effacing virgin or sacrificial saint, Dorothy Wordsworth was a talented writer and exceptional woman. She was William Wordsworth's inspiration, aide and most valued reader and traded in a conventional life to share in his world of words. In her journals, Dorothy kept a record of their idyllic life together. The tale ...Read MoreOrdinarily presented as a self-effacing virgin or sacrificial saint, Dorothy Wordsworth was a talented writer and exceptional woman. She was William Wordsworth's inspiration, aide and most valued reader and traded in a conventional life to share in his world of words. In her journals, Dorothy kept a record of their idyllic life together. The tale that unfolds through her brief, lyrical entries reveals a strange, intangible love between brother and sister, culminating in Dorothy's dramatic collapse on the day of William's wedding. In her beautifully told biography, Frances Wilson brings Dorothy to life in all her complexity. From the restrained prose of Dorothy's journals, she uncovers the rich emotional life of a woman who suffered the jealousies of a discarded mistress - and eventually insanity.Read Less
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Fine. Farrar, Straus and Giroux 2009 U N C O R R E C T E D P R O O F SOFTCOVER. Prerelease version. From This sensitive and elegantly written life of Dorothy Wordsworth (1771– 1855), sister of the poet William Wordsworth, centers on four small notebooks, her so-called Grasmere Journals. These journals reveal how William functioned as Dorothy's male muse and how she, more traditionally, was his. What is most untraditional, and certainly peculiar, is the not-quite-stated true relation between brother and sister. Commentators and biographers describe Dorothy Wordsworth as having virtually no inner life, existing solely for and through her brother. Yet, Wilson relates, the opium-eater De Quincey found her a most sensuous creature; she was a big part of William's friend with Coleridge as well. First teasing out Dorothy's truly rich interior life through careful examination of the journals and other writings, Wilson (Literary Seductions) then uncovers the nature of Dorothy's emotional connections to William, his work, his wife and even the French mistress he had as a younger man. Most controversial in the Grasmere Journals are several blotted lines regarding William's wedding ring--which Dorothy wore to sleep the night before the wedding. These lines, as well as Dorothy's visionary tendencies, her migraines and trances, almost of an epileptic nature, and a long depressive decline are scrupulously analyzed. 31 illus. (Feb. 24) ¬ Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. ReviewWilson continues her examination of the fraught terrain where sex and literature meet (Literary Seductions, 2000, etc. ) in a bleak biography of the celebrated poet's unmarried sister. Dorothy Wordsworth (1771-1855) shared the home, the vision, the language, the life and-at least upon occasion, it seems-the bed of her brother William (1770-1850), devoting herself to his art and comfort. Wilson begins with one of the oddest moments in literary history, the morning of William's 1802 marriage, when he went into his sister's bedroom to retrieve the wedding ring she had worn all night. The author will return to this incident from a new perspective in the final pages, but initially she moves back to proceed in fairly chronological fashion, quoting liberally from the principals' papers and commenting on the Wordsworths' relation with others, principally Samuel Taylor Coleridge. (Wilson sees an almost psychic connection between Coleridge and Dorothy, both of whom William in a sense betrayed. ) The text focuses largely on Dorothy's Grasmere Journals, kept during her sojourn in the Lake Country with William from 1800 to 1803, which Wilson judges as evidence that the poet's sister was "one of our finest nature writers." William's marriage to Mary Hutchinson was traumatic, but Dorothy honeymooned with the couple and lived with them for the rest of her days, which were darkened from the 1830s on by mental illness. Wilson veers occasionally into uncertain terrain. Though it might be wiser to eschew contemporary medical and psychological analyses of 200-year-old somatic illnesses and relation, the undaunted author quotes Oliver Sacks on migraines and diagnoses elderly Dorothy with "depressive pseudodementia." Wilson frequently summarizes the research of others, then declares it inadequate, wrong, biased. Scholars will find it difficult to locate documentation for such assertions or simply to check contexts for quotations: The author provides no endnotes, just an appended "bibliographic essay." Still, much of her well-researched text is graceful, perceptive and poignant. An often lyrical ballad with some superfluous, unmelodious stanzas. (Kirkus Reviews)
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