Erasmas - Raz - is a young avout living in the Concent, a sanctuary for mathematicians, scientists and philosophers, protected from the corrupting influences of the outside world by ancient stone, honoured traditions and complex rituals. Three times during history's darkest epochs, the cloistered community has been devastated by violence. Yet the ...
Erasmas - Raz - is a young avout living in the Concent, a sanctuary for mathematicians, scientists and philosophers, protected from the corrupting influences of the outside world by ancient stone, honoured traditions and complex rituals. Three times during history's darkest epochs, the cloistered community has been devastated by violence. Yet the avout have always managed to adapt in the wake of catastrophe. Now, in celebration of the week-long, once-in-a-decade rite, the avout prepare to open the concent's gates. Before the week is out, both worlds - the inner and the outer - will stand poised on the brink of cataclysmic change. Suddenly Erasmas finds himself a major player in a drama that will determine the future of his world - as he sets out on an extraordinary odyssey that will carry him to the most dangerous, inhospitable corners of the planet...and beyond.
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Any story that needs a dictionary to understand, is a work of an amateur. But obviously, if you have the right connections in the publishing world, you can become a success
Jan 15, 2009
Neal Stephenson continues his uneven work in bringing together the worlds of pop science fiction and scientific theory. In Anathem, he uses a closed culture of monastic intelligentsia set in a world of technologically savvy "lay brothers", common laborers, artisans, poiticians, and other presumed philistines as a vehicle to play with ideas of general relativity and quantum mechanics.
Stephenson is better than anyone else I know in the art of lecturing on sophisticated scientific and philosophical ideas under the guise of long conversations among his characters -- and the characters themselves are believeable. But I found myself slogging toward the finish, as I did with two of the novels of the Baroque Cycle (I didn't try for three), rather than sprinting along, as I did with Cryptonomicon and his early work. In the end, I quit at the beginning of the last chapter, just checking the final page to see if there were to be a happy ending. Intellectually, the ending was pleasing, raising the question not of whether a happy ending was realistic, but whether reality was. But I no longer cared if THISending was going to be happy for THESE characters.
Creating a new culture in an unknown world also allowed Stephenson to play a few linguistic games -- inventing names for things that were similar to, but not the same as, the ones we use. A liturgical rite in the monastic culture, for example, is called an "aut": similar, I suppose, to the word for the burning of a heretic, "auto-da-fe": but it would have looked better in English as something like 'aute", I think, without losing the auditory pun. Likewise "vlor" as a contraction of "Vale lore" -- martial arts. English doesn't contract words made up of two single-syllable nouns (like "dog house" to "dgouse"). He just doesn't quite have the ear for this kind of thing that, say, Russell Hoban did in "Ridley Walker".
I will keep buying Neal Stephenson novels, hoping once more to be swept off my feet as I was by Cryptonomicon -- but for me, this one wasn't it.
Dec 10, 2008
He's off again!
I had anxiously awaited publication of a new novel since I finished "The Baroque Cycle" more than 2 years ago. "Anathem" did not disappoint. Stephenson has continued his expansion of subject material to another world. His craftsmanship in creating a separate [though parallel]universe was created from more "whole cloth" than previous novels which had starting off points rooted in this world's culture. And this is only the underpinnings of the actual storyline which is as absorbing as his previous work. Creating a cloistered class of "intelligentsia" separated from the dross of "pop" culture and the standard political landscape gives him a unique opportunity for histronifaction which yields much food for thought into our own situation. I highly recommend this book .
Publishers Weekly, 2008-11-24 This audiobook goes the extra mile, giving listeners something the printed page-turner can not. Fans of the cult author will enjoy his vocal cameo appearances when he calmly reads definitions from a non-Earth dictionary at the start of many chapters. Another added bonus is the music between chapters that was composed specifically for this production; working with Stephenson and early drafts of the novel, David Stutz beautifully captures the complex traditional, coded choral music described therein. Moreover, the extras do not obscure the remarkable performance by William Dufris, who reads as if he knows the 900+-page text by heart. The story is told by a monastic scholar, and Dufris--with a twinkle in his proverbial eye and a sense of awe in his voice--is the perfect match. His intelligent rendering of the cast of characters is a delight for the ears. A Morrow hardcover (Reviews, July 28). (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
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