Childe Hassam has long been recognized as America's foremost Impressionist painter, yet the sheer size and variety of his output have hindered a full appreciation of his work. The present volume seeks to remedy this by offering, for the first time, a comprehensive survey of the artist's career. That career began in his native Boston, where he ...
Childe Hassam has long been recognized as America's foremost Impressionist painter, yet the sheer size and variety of his output have hindered a full appreciation of his work. The present volume seeks to remedy this by offering, for the first time, a comprehensive survey of the artist's career. That career began in his native Boston, where he worked as an illustrator and a watercolor painter. Hassam absorbed the principles of Impressionism during three crucial years spent in Paris in the mid-1880s. Largely self-taught, he emerged from his stay a brilliant colorist with a style uniquely his own. On his return to the United States, Hassam settled in New York, and the next two decades saw him produce his finest work, as he painted ceaselessly in the cities and the coastal resorts of the east. Believing that the artist should paint his own time in the most modern manner, and convinced that the beauties of America rivaled those to be found anywhere, Hassam was an early experimenter with pure color and sought to capture specific effects of light in landscapes and everyday city scenes alike. His virtuosity encompassed everything from radiant New England skies to the haunting glare of lamplight in a snow-covered park. Flower-filled gardens in Villiers-le-Bel and on the Isles of Shoals, the bustling boulevards of Paris and the carriage-lined squares of Old New York, the quaint harbor towns of Newport and Gloucester - these and other unassuming subjects were transformed by the artist's fresh vision. Hassam was also the first to proclaim the majestic dignity of New England churches in his work. This monograph is notable for its careful selection and analysis of Hassam's finest oils andwatercolors, many of them in private collections and never published before. A number of errors in previous publications on the artist, ranging from falsely identified works to details of Hassam's travels, are corrected here, and new information is provided on such a classic painting as Gra
Very Good. Exhibition Catalogue. 4to-over 9¾"-12" tall. 191 pp., illus. (some col. ); 30 cm. Published in conjunction with an exhibition held at the Jordan-Volpe Gallery, New York, May 20 to July 1, 1994. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! No priority/international, except by special arrangement.
Fair. Item is in acceptable condition. Expect heavy wear on the cover and the inside of the book. The text is perfectly readable and usable. There is no condition below acceptable. Fast shipping. Free delivery confirmation with every order.
VG-(Light edge wear to dj. ) Red cloth over boards; Color illus. dj.; 192 pp.; 73 bw, 125 color plates and figures. Accompanied the exhibition of works by Childe Hassam (1859-1935). With extensive text; Includes letters from Paris and other writings by Hassam; Nicely illustrated.
New. NO MARKINGS OR WRITINGS WITH CLEAN PAGES. **Will have some shelf wears on the Covers or the Outer Dust Jackets. ((Minor Wears such as scratches on the Corners and edges from stocking on warehouse shelves. ))
Fine. 1999, First Edition, Softcover. 191 pp. Illustrated throughout. A Fine copy. Sharp, clean and unmarked. Published in conjunction with the exhibit by the same name held at the Jordan-Volpe Gallery, NYC.
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