This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1917 edition. Excerpt: ...Shuncho can hardly be regarded as second even to his master, except in originality. He lacked Kiyonaga's great creative ...
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1917 edition. Excerpt: ...Shuncho can hardly be regarded as second even to his master, except in originality. He lacked Kiyonaga's great creative imagination--an imagination which brought into being the Olympian style. But his gifts enabled him to assimilate this style perfectly and turn it to his own slightly different uses. His sense of composition is rather undistinguished when compared with Kiyonaga's; but the delicacy of his drawing, the restrained harmonies of his colour, and the clean vitality of his line have a beauty that we could ill afford to sacrifice even for Kiyonaga's strength. Kiyonaga brings down the gods in all their noble dignity to walk the earth in calm magnificence; but Shuncho leads us into a secret heaven where the loveliest and most flower-like of the gods have remained behind. His is a softer beauty, touched with remote half-lights, vibrant with faint wistfulness; his superb women turn in mid-joy as though far and grave music had suddenly drifted to their hearing; their perfection passes over into the region where beauty becomes sadness. No women in the whole range of Japanese art so haunt one's memory as do his; no beauty seems at the same time so flawless and so charged with the burden of transitoriness. One cannot but feel that where Kiyonaga's healthy vision saw only the happiness and brilliance and splendour of the forms that swept by him in the mortal procession, Shuncho saw also the ghostly fleetness of their passing and the melancholy of their radiance sunset-bound; and around his figures this sense throws a quiet tender light, a suggestion of brooding and caressing sweetness. In his finest prints the softly luminous colour and the gently sweeping lines of his ladies move sometimes through the palely glowing rooms of palaces, but...
NF in VG- jacket. Quarter cloth with pictorial green boards, 8to. 456pp. Index. Color plate frontis, 56 b/w plates throughout text. Ideogram names of artists under discussion. Preface by Gladys B. Ficke. 1st Tuttle ed., orig. pub. 1915. NF/VG-. jacket has wear along upper edge, including small chips on and near spine. light soil on jackets, dark mark on front panel showing loss of laminate. Green and violet colors, titles and pictorial on wraps very good plus.
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