The second book in Philippa's stunning new trilogy, The Cousins War, brings to life the story of Margaret Beaufort, a shadowy and mysterious character in the first book of the series - The White Queen - but who now takes centre stage in the bitter struggle of The War of the Roses. The Red Queentells the story of the child-bride of Edmund Tudor, ...
The second book in Philippa's stunning new trilogy, The Cousins War, brings to life the story of Margaret Beaufort, a shadowy and mysterious character in the first book of the series - The White Queen - but who now takes centre stage in the bitter struggle of The War of the Roses. The Red Queentells the story of the child-bride of Edmund Tudor, who, although widowed in her early teens, uses her determination of character and wily plotting to infiltrate the house of York under the guise of loyal friend and servant, undermine the support for Richard III and ultimately ensure that her only son, Henry Tudor, triumphs as King of England. Through collaboration with the dowager Queen Elizabeth Woodville, Margaret agrees a betrothal between Henry and Elizabeth's daughter, thereby uniting the families and resolving the Cousins War once and for all by founding of the Tudor dynasty.
This was another excellent book by Phillipa Gregory, who has a special talent for putting words into the mouths and thoughts into the minds of figures from the Tudor period, yet anchoring the narrative in known historical fact when available.
Oct 28, 2010
The Red Queen
The Red Queen shares a common theme as all the other Gregory fiction works based on history: The subjugation of women, whatever their status, in the Late Middle Ages to the Early Renaissance period.
Publishers Weekly, 2010-10-25 While Gregory's The White Queen told a story of the War of the Roses from the viewpoint of the House of York, her latest takes the perspective from the House of Lancaster, where Margaret Beaufort, a descendant of King Edward III, accepts her duty to marry whoever the current king chooses, bear a male child, a potential heir to the throne, and to mastermind his path to power. Bianca Amato reads with quiet earnestness and carries Margaret from the fantasies of childhood to becoming a mature woman of experience and arrogance. As in her reading of The White Queen, Amato refrains from dramatic extremes or flourishes in favor of a spare, serene, and engrossing narration. A Touchstone hardcover (Reviews, May 3). (Aug.) (c) Copyright PWxyz, LLC. All rights reserved.
Publishers Weekly, 2010-05-03 Nobody does the Tudors better than Gregory (The Other Boleyn Girl), so it should come as no surprise that her latest-the War of the Roses as seen through the eyes of Henry VII's mother -is confident, colorful, convincing, and full of conflict, betrayal, and political maneuvering. Gregory gives readers Margaret Beaufort in her own words, from innocent nine-year-old to conspiring courtier who stops at nothing to see her son on England's throne. Gregory devotees will note the difference between the supernaturally gifted Yorkist White Queen and Lancastrian Margaret, who, despite saintly aspirations, grows worldly through three marriages; a powerless widow at 13, remarried and separated from her only son by 15, it is not until she's 29 that Margaret is ready to realize her most audacious ambitions. Gregory clones have made historical novels from a woman's perspective far too familiar to make this seem as fresh as her earlier works. Yet, like Margaret Beaufort, Gregory puts her many imitators to shame by dint of unequalled energy, focus, and unwavering execution. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved
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