Internationally bestselling author Philippa Gregory brings the tumult and intrigue of The Wars of the Roses to vivid life through the women of the House of Lancaster and the House of York, beginning with the story of Elizabeth Woodville, the White Queen. A woman who won the love of a king and ascended to royalty by virtue of her beauty, Elizabeth ...Read MoreInternationally bestselling author Philippa Gregory brings the tumult and intrigue of The Wars of the Roses to vivid life through the women of the House of Lancaster and the House of York, beginning with the story of Elizabeth Woodville, the White Queen. A woman who won the love of a king and ascended to royalty by virtue of her beauty, Elizabeth fought tenaciously for the success of her family -- her daughter who would one day unite the warring dynasties, and her two sons whose eventual fate has confounded historians for centuries: the Princes in the Tower. An active player in the power struggles that surrounded her, she made hard and courageous choices, always trying to protect those whom she loved. Informed by impeccable research and framed by her inimitable storytelling skills, Philippa Gregory gives an unforgettable voice to an extraordinary woman at the heart of a devastating conflict.Read Less
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Publishers Weekly, 2009-06-29 The queen of British historical fiction (The Other Boleyn Girl) kicks off a new series with the story of Elizabeth Woodville Grey, whose shifting alliances helped the War of the Roses take root. The marriage of 22-year-old Yorkist King Edward IV to 27-year-old widow Elizabeth brings a sea change in loyalties: Elizabeth's Lancastrian family becomes Edward's strongest supporters, while Edward's closest adviser, the ambitious earl of Warwick, joins with Edward's brother George to steal the English crown. History buffs from Shakespeare on have speculated about this fateful period, especially the end of Edward and Elizabeth's two sons, and Gregory invents plausible but provocative scenarios to explore those mysteries; she is especially poignant depicting Elizabeth in her later years, when her allegiance shifts toward Richard III (who may have killed her sons). Gregory earned her international reputation evoking sex, violence, love and betrayal among the Tudors; here she adds intimate relationships, political maneuvering and battlefield conflicts as well as some well-drawn supernatural elements. Gregory's newest may not be as fresh as earlier efforts, but she captures vividly the terrible inertia of war. (Aug.) Copyright 2009 Reed Business Information.
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