Kidnapped from his California home in 1897 and sold to prospectors embarked for the Yukon Gold Rush, Buck, a pampered house dog who has known comfort all of his life, finds himself thrust into a brutal world of cruel human masters, savage fellow sled-dogs, and an unforgiving wilderness full of hardship and misery. In the wild, Buck earns the love ...
Kidnapped from his California home in 1897 and sold to prospectors embarked for the Yukon Gold Rush, Buck, a pampered house dog who has known comfort all of his life, finds himself thrust into a brutal world of cruel human masters, savage fellow sled-dogs, and an unforgiving wilderness full of hardship and misery. In the wild, Buck earns the love of a man as rugged as he is, and he reacquaints himself with his true animal nature, a noble heritage passed down through tens of thousands of years of his kind's survival. First published in 1903, The Call of the Wild is Jack London's masterpiece of adventure. This edition features the classic illustrations of Paul Bransom. The Call of the Wild is one of Barnes & Noble's leatherbound classics for children. It features classic illustrations, an elegant bonded leather binding, a satin-ribbon bookmark and distinctive gilt edging. It will provide hours of enjoyment for readers of all ages.
Good. In good condition with slight edgewear. Pages clean and intact. Slight spine breakage. Sewn binding. Cloth over boards. 240 p. Contains: Illustrations. Great Illustrated Classics (Playmore). Audience: Children/juvenile.
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Written in 1903 The Call of the Wild is an exciting book set during the Klondike Gold Rush of 1897. Buck (a dog who is half St. Bernard and half Scotch Shepherd) is the main character. He is kidnapped from his comfortable home in the warm and sunny Santa Clara valley and sold to be a working dog in the cold and wild Northland in the Yukon. He works with other dogs on the mail delivery route between Skagway and Dawson. The book is told in the third person but also told from the perspective of Buck. Jack London does an excellent of job of portraying the slow but sure transformation of a domestic animal and getting into the mind of a dog. I also like how London raises the question regarding Buck's transformation: Is Buck developing or retrogressing? I did like this book a great deal but the violence committed against dogs did make me wince at times; these scenes may not sit well with animal lovers. Still, The Call of the Wild is a classic adventure book for all ages.
Nov 22, 2009
Good book, some parts i didnt lke to read because they were sad, fights and deaths. But i loved the main point of the book. Its about a domestic dog that loses its home and has to run trails in the artic, although he lost his comfortable home, he finds literally the "call of the wild' from his ancestors. Makes me wish i could do it.
Sep 20, 2008
I have read this book many times, and each time it is as enthralling, exilerating, and heartbreaking as the first. I highly reccomend it.
Oct 19, 2007
This book deals with the beauty and brutality of nature. Buck's gradual abandonment of his domestic nature is enthralling and heart breaking. Its a realistic harsh look at survival. The main character is a dog, but Buck manages to be likeable and relateable. I had to read this book alot for school and always enjoyed it each time. This is a great book to read again and again.
Publishers Weekly, 2006-02-13 Years ago, Classic Comics, heavily digested versions of classic novels, functioned as illustrated Cliff's Notes for students. Kleid (Ninety Candles, Brownsville) and Nino (Graphic Classics: The Invisible Man) have updated the old form with this adaptation of Jack London's perennial. Kleid's adaptation competently summarizes the original, introducing the reader to Buck the dog, the vile man in the red sweater and the sympathetic John Thornton, highlighting the main events from the novel and using London's most workmanlike sentences to keep the story moving along. Nino's black-and-white art has a nice kinetic, almost impressionistic quality. Unfortunately, his emphasis on movement over clarity makes it difficult to tell human beings from each other, let alone dogs, and obscures any real emotion. Kleid himself sums up the biggest problem with this adaptation in his afterword: "London was smart-he went the novel route, where it's easier to get inside a dog's head." The audience for this adaptation is blurred: older readers may just read the original, while younger readers are unlikely to understand either the art or Kleid's self-indulgent afterword, which tries to compare the adaptation to Grant Morrison and Frank Quitely's groundbreaking (but arguably unsuitable for children) We3. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved
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