George Hall doesn't understand the modern obsession with talking about everything. 'The secret of contentment, George felt, lay in ignoring many things completely.' Some things in life, however, cannot be ignored. At fifty-seven, George is settling down to a comfortable retirement, building a shed in his garden, reading historical novels, ...
George Hall doesn't understand the modern obsession with talking about everything. 'The secret of contentment, George felt, lay in ignoring many things completely.' Some things in life, however, cannot be ignored. At fifty-seven, George is settling down to a comfortable retirement, building a shed in his garden, reading historical novels, listening to a bit of light jazz. Then Katie, his tempestuous daughter, announces that she is getting remarried, to Ray. Her family is not pleased - as her brother Jamie observes, Ray has 'strangler's hands'. Katie can't decide if she loves Ray, or loves the wonderful way he has with her son Jacob, and her mother Jean is a bit put out by all the planning and arguing the wedding has occasioned, which get in the way of her quite fulfilling late-life affair with one of her husband's former colleagues. And the tidy and pleasant life Jamie has created crumbles when he fails to invite his lover, Tony, to the dreaded nuptials. Unnoticed in the uproar, George discovers a sinister lesion on his hip, and quietly begins to lose his mind. The way these damaged people fall apart - and come together - as a family is the true subject of Mark Haddon's disturbing yet very funny portrait of a dignified man trying to go insane politely.
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Publishers Weekly, 2006-07-17 Recent retiree George Hall, convinced that his eczema is cancer, goes into a tailspin in Haddon's (Curious Incident of the Dog in the Night-Time) laugh-out-loud slice of British domestic life. George, 61, is clearly channeling a host of other worries into the discoloration on his hip (the "spot of bother"): daughter Katie, who has a toddler, Jacob, from her disastrous first-marriage to the horrid Graham, is about to marry the equally unlikable Ray; inattentive wife Jean is having an affair-with George's former co-worker, David Symmonds; and son Jamie doesn't think George is OK with Jamie's being queer. Haddon gets into their heads wonderfully, from Jean's waffling about her affair to Katie's being overwhelmed (by Jacob, and by her impending marriage) and Jamie's takes on men (and boyfriend Tony in particular, who wants to come to the wedding). Mild-mannered George, meanwhile, despairing over his health, slinks into a depression; his major coping strategies involve hiding behind furniture on all fours and lowing like a cow. It's an odd, slight plot-something like the movie Father of the Bride crossed with Poe's "The Tell-Tale Heart" (as skin rash)-but it zips along, and Haddon subtly pulls it all together with sparkling asides and a genuine sympathy for his poor Halls. No bother at all, this comic follow-up to Haddon's blockbuster (and nicely selling book of poems) is great fun. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved
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