Mildred Pierce had gorgeous legs, a way with a skillet, and a bone-deep core of toughness. She used those attributes to survive a divorce and poverty and to claw her way out of the lower middle class. But Mildred also had two weaknesses: a yen for shiftless men, and an unreasoning devotion to a monstrous daughter. Out of these elements, Cain ...
Mildred Pierce had gorgeous legs, a way with a skillet, and a bone-deep core of toughness. She used those attributes to survive a divorce and poverty and to claw her way out of the lower middle class. But Mildred also had two weaknesses: a yen for shiftless men, and an unreasoning devotion to a monstrous daughter. Out of these elements, Cain creates a novel of acute social observation and devastating emotional violence, with a heroine whose ambitions and sufferings are never less than recognizable.
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Publishers Weekly, 2007-05-28 Cain's classic novel, and the source for the 1945 film starring Joan Crawford, makes its way onto audio with this reading by actor and singer Williams. Cain's purple prose and then-scandalous dialogue take on new life under Williams's direction, her assured tone underscoring the legendary noir writer's rip-roaring tale of a woman scorned who survives no-good men and a hateful daughter to make it in 1930s Los Angeles. Williams is out of her depth encountering tense or high-pitched dialogue, reading it in a clipped monotone that does little for Cain's drama, but is on far stronger ground with the rest of the book, which flourishes under her steady, patient, ever-so-slightly melancholic gaze. Williams's reading lacks the rage that moved Crawford's Mildred, but her version of the now-familiar story amplifies our sense of Cain's heroine as an abandoned woman who finds her own way, on her own terms. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved
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