Young readers will be eager to sample the literary genius in the Treasury of Illustrated Classics series. Short, concise chapters in each of the 12 1-c illustrated titles will keep them in anticipation of the adventure built into every beloved tale. Each must-have title is as engaging for first-time readers as those revisiting their favorite ...
Young readers will be eager to sample the literary genius in the Treasury of Illustrated Classics series. Short, concise chapters in each of the 12 1-c illustrated titles will keep them in anticipation of the adventure built into every beloved tale. Each must-have title is as engaging for first-time readers as those revisiting their favorite stories! Hardcover editions and charmingly illustrated covers add to their appeal.
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This book was just like new & in excellent condition.
Oct 31, 2009
Whaling is a deep subject.
A lot of people can't understand Moby-Dick. And I think, to an extent, nobody can fully understand this book who doesn't know at least a little about the transcendentalist movement in American literature.
Transcendentalism, to Thoreau and Emerson, et al., was the idea that one can get to know God by studying nature. Thoreau was transcendentalism's greatest proponent. That's what 'Walden Pond' was all about.
Melville used Ahab and the whale to show (to put it as simply as possible) that one thing we learn when we study nature is that God isn't necessarily a creature we'd like to be closely acquainted with. When little Pip, the cabin boy, falls out of the whaleboat -- to take one example -- he sinks down and down, then he goes down a little farther, then farther still, and then he sinks some more until, bye and bye, he sank so far down in the ocean that he 'saw God's foot on the treadle of the loom.' At that point his mind snapped and when he finally broke surface, he was as crazy as a crap-house mouse. Having seen God, he became a madman, and his derangement was permanent.
Ahab is crazy because he, too, has met God -- and the damned thing took his leg off. He was not happy about losing his leg. He has sworn vengeance on God (manifest in the unstoppable power of the whale) and he will have it if it kills him -- as of course it finally does. Ahab's rage against God reflects the human creature's rage to order the insane universe (God) in which we live.
I mean, that vein is deep and rich. Moby-Dick gives us plenty of room to think and plenty of material to think about, and if we bother to think about it we'll be thinking for a long while. How about the scene where the men sit in a circle around a tub, squishing spermaceti between their fingers? Is there a circle-jerk going on there? Is there a hint at the homosexuality that was so common in all-male crews who spent months and years at sea?
In sum, I believe the novel has at least three purposes and at least two of those are didactic. On the one hand it discourses on transcendentalism, on the nature of God and the nature of man and the relationship between them. On the other hand, it discourses on the life of the whalers. We learn from reading Moby-Dick a very great deal about life and work on a wooden, wind-powered, Yankee whaling vessel. You can read it one way, you can read it the other way, or you can read it as a straight-up, meaningless adventure yarn. No matter how you read it, it's a whale of a tale and it's one that always yields more to those who re-read it.
I give it five stars because I think it earns every one of 'em.
Aug 6, 2007
Where to start with Moby Dick...
Had to read this book for English. The opening was really interesting, and it wasn't too bad until they were on the boat and Melville goes on and on about whale parts. I was warned about this in advance, so I just skimmed over those parts. It's really a great classic story if you can get beyond Melville's style at times.
Publishers Weekly, 2002-10-14 The great white resurfaces in this gripping, comic book-style retelling. Comic-strip veterans Schwartz and Giordano condense Melville's leviathan tale into an action-packed, 48-page adventure. Despite forgoing Melville's "Call me Ishmael" first-person narrative and sensory details, this retelling closely adheres to the original plot, including some pivotal scenes absent from Allan Drummond's spare but entertaining 1997 Moby Dick. The dense story clips along, thanks to concise but appealingly hammy storytelling and melodramatic drawings, plus multiple panels that quicken the pace. When Ishmael meets Queequeg, for instance, the author squeezes out every drop of suspense: "There in the dimly lit room looms the forbidding image of Queequeg... harpoon at the ready, poised to sink its sharp head into his shaking body!!" Giordano ratchets up the tension with a series of close-ups of Ishmael's terrified face as he awakens to the "savage" in his rented room. The brooding, dark-toned panels exude imminent danger-an ideal milieu for Captain Ahab's doomed voyage. The book also provides a brief biography of Melville, as well as facts about whaling and New Bedford, Mass., the city that commissioned this retelling in celebration of the 150th anniversary (in 2001) of Moby Dick's original publication. Ages 8-up. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
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