Michael Ondaatje's Booker Prize-winning novel was first published in 1992 to incredible international acclaim. Shortly afterwards it was made into a major film, one that brought Ondaatje's beautiful, harrowing love story to millions of people. Set in the chaotic months that followed the end of the Second World War, The English Patient focuses on a ...
Michael Ondaatje's Booker Prize-winning novel was first published in 1992 to incredible international acclaim. Shortly afterwards it was made into a major film, one that brought Ondaatje's beautiful, harrowing love story to millions of people. Set in the chaotic months that followed the end of the Second World War, The English Patient focuses on a small band of stunned survivors as they try to come to terms with its devastating effects. These four characters, thrown together by chance, have stories of wonder and horror to tell each other. And as these stories are narrated and played out, Ondaatje creates with spectacular brilliance the adventure, romance and pain of life itself.
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Near Fine/Very Good. Octavo, 9 1/2" tall, 301 pages, blue boards. A near fine, clean, neat hard cover edition with light shelf wear; hinges and binding tight, paper cream white. In a very good, edge worn dust jacket with original price clipped.
Publishers Weekly, 1993-10-25 Canadian author Ondaatje offers a poetic novel set in a desolate Italian villa in the final days of WWII--a one-week PW bestseller--and an evocative account of a visit with his family in Sri Lanka. (Dec.) (c) Copyright PWxyz, LLC. All rights reserved
Publishers Weekly, 1992-07-20 A poet's sensitive, deep-seeing eye, a fluid, sensuous prose and imaginative juxtapositions of characters and events distinguish Canadian author Ondaatje's impressive novels ( Coming Through Slaughter ; In the Skin of a Lion ; etc.). Here again he brings together disparate characters whose lives intersect at a crucial moment in history, and introduces real-life figures who add dimension and credibility to the story. The four people who take shelter in an abandoned villa in Italy during the final days of WW II are in retreat from a world gone mad; each of them is bent on protecting painful memories and pondering irreplaceable losses. The mysterious ``English patient'' has been horribly burned while parachuting into the Libyan desert; his face unrecognizable and his identity unknown, he gradually reveals his tragic story through the prompting of David Caravaggio, a professional thief and former spy whose hands and spirit have been maimed by Nazi torturers. Caravaggio has come to the villa in search of Hana, a woman who is nursing the burned man, whom Caravaggio has known since her childhood in Toronto. Close to emotional breakdown herself, dry-souled Hana is nourished by her love for Kip, a Singh demolitions expert whose perilous craft reflects the fragility of all their lives. Each is ``playing a game of secrets,'' which Ondaatje reveals in a suspenseful narrative whose gripping scenes (a desert sandstorm; the defusing of live bombs) call to mind the sudden brilliance of subjects illuminated by Caravaggio's artist namesake, to whose work Ondaatje elliptically refers. If the events of the novel's closing pages seem forced, they underscore Ondaatje's message about the lingering effects of war's brutality. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
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