Winner of the Man Booker Prize for Fiction 2011. Shy, sensible banker Stuart has trouble with women; that is, until a fortuitous singles night, where he meets Gillian, a picture restorer recovering from a destructive affair. Stuart's best friend Oliver is his complete opposite - a language teacher who 'talks like a dictionary', brash and feckless. ...
Winner of the Man Booker Prize for Fiction 2011. Shy, sensible banker Stuart has trouble with women; that is, until a fortuitous singles night, where he meets Gillian, a picture restorer recovering from a destructive affair. Stuart's best friend Oliver is his complete opposite - a language teacher who 'talks like a dictionary', brash and feckless. Soon Stuart and Gillian are married, but it is not long before a tentative friendship between the three evolves into something far different. Talking it Over is a brilliant and intimate account of love's vicissitudes. It begins as a comedy of misunderstanding, then slowly darkens and deepens, drawing us compellingly into the quagmires of the heart.
Publishers Weekly, 1992-08-03 The members of a love triangle take turns narrating this ingenious novel from British author Barnes, whose earlier works Metroland and Before She Left Me will also be released in Vintage International editions this October. (Oct.)
Publishers Weekly, 1991-08-02 The author of Flaubert's Parrot once again devises smart and fabulous fun. On the surface Barnes's newest is a postmodern Jules et Jim , made up only of testimonies from its characters, principally, meat-and-potatoes Stuart; Stuart's new bride, Gillian; and Stuart's best friend, the grandiloquent Oliver, who has fallen in love with Gillian. The structural conceit, however, opens the novel to a wealth of literary gambits, all the more effective for their unobtrusiveness. Barnes plays on Pirandello, for example, giving us characters in search of a reader: they compete for attention, directly address an intended audience (``Have a cigarette? You don't? I know you don't--you've told me that before''), demand that an unsympathetic witness be yanked from the story line. As Oliver woos Gillian, Barnes throws in some teasing references to other pursuits. The ingenious ending allows each of the figures to fashion his own, radically different resolution, while Barnes's sly narration leaves it to the reader to be the ultimate judge and, as such, the ultimate author. BOMC and QPB alternates. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
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