The Eye in the Door is the second novel in Pat Barker's classic Regeneration trilogy. Winner Of The 1993 Guardian Fiction Prize. London, 1918. Billy Prior is working for Intelligence in the Ministry of Munitions. But his private encounters with women and men - pacifists, objectors, homosexuals - conflict with his duties as a soldier, and it is not ...
The Eye in the Door is the second novel in Pat Barker's classic Regeneration trilogy. Winner Of The 1993 Guardian Fiction Prize. London, 1918. Billy Prior is working for Intelligence in the Ministry of Munitions. But his private encounters with women and men - pacifists, objectors, homosexuals - conflict with his duties as a soldier, and it is not long before his sense of himself fragments and breaks down. Forced to consult the man who helped him before - army psychiatrist William Rivers - Prior must confront his inability to be the dutiful soldier his superiors wish him to be...The Eye in the Door is a heart-rending study of the contradictions of war and of those forced to live through it. "A new vision of what the First World War did to human beings, male and female, soldiers and civilians." (A S Byatt, Daily Telegraph). "Every bit as waveringly intense and intelligent as its predecessor." (Sunday Times). "Startlingly original...spellbinding." (Sunday Telegraph). "Gripping, moving, profoundly intelligent...bursting with energy and darkly funny." (Independent on Sunday). Other titles in the trilogy: Regeneration The Ghost Road.
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Near Fine-publisher's cloth (black) with silver gilt lettering to spine-in d.w. -tiny band of edge wear to spine extremities o/w Near Fine-with colour illustration to f.c. Not price clipped.N.B. Publisher's "Damaged" stamp to upper page edges, but no discernible damage to book evident. The second book of the author's First World War trilogy. Postage 600g.
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Publishers Weekly, 1995-03-06 From the author of Regeneration comes the story of British society's struggles during WWI. (Apr.)
Publishers Weekly, 1994-03-14 British writer Barker's ability to invest what appears to be a simple narrative with many levels of meaning and to convey a harrowing story in spare, uncluttered prose was amply demonstrated in her acclaimed previous novel, Regeneration . This quietly powerful story begins in 1917, where Regeneration left off; the epigraph from The Strange Case of Dr Jekyll and Mr Hyde hints at what is to come, referring to ``the two natures that contended in . . . my consciousness.'' Though not as flamboyant as Stevenson's protagonist(s), all the main characters here are leading double lives, some consciously, others as a result of traumatic experiences. Having been released from Craiglockhart War Hospital (where shell-shock victims are sent to convalesce), Lt. Billy Prior is still concealing his working-class origins. Assigned to the Intelligence Unit, he must betray the very people who sheltered him when he was young, and soon his conscious mind succumbs to the pressure. If Prior has ``a foot on both sides of the fence,'' so has patrician Charles Manning, who must conceal his homosexuality. Even the director of Craiglockhart, W.H.R. Rivers (an eminent neurologist and social anthropologist in real life) suffers from a mysterious loss of visual memory, stemming from a buried incident in his youth. And poet Siegfried Sasson again struggles to reconcile his pacifist beliefs with his need to stand by his men in battle. As in the earlier book, Barker uses their interaction to illuminate the terrible effects of conflict, but here she broadens her canvas to include the conscientious objectors, socialists and homosexuals who were accused of treasonous behavior during WW I. The multi-suggestive title applies to the hysterial outcry against ``outsiders''; the observation hole in the prison door, behind which pacifists are jailed; the ``eye in the door of the mind'' that triggers dissociated states; and the particulars of a notorious court case of 1917 in which a demented bigot, supported by a prominent MP, accused 47,000 Englishmen and women of homosexuality, which ostensibly made them vulnerable to German blackmail. Writing with cool understatement, Barker conveys with equal skill the desperation of men suffering from battlefield trauma, the subtle ramifications of class distinctions in a period of rapid social change and the quality of life in Britain's poverty-stricken industrial areas. As haunting as its predecessor, this moving antiwar novel is also a cautionary tale about the price of cultural conformity. (May)
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