Using stunning imagery taken directly from the film this is a revolutionary graphic novel taken from a revolutionary film. Linklater's decision to film A SCANNER DARKLY as a live action movie and then to overlay animation over the images has created a hallucinatory, almost dreamlike quality to the action and imagery that is fantastically apt for ...
Using stunning imagery taken directly from the film this is a revolutionary graphic novel taken from a revolutionary film. Linklater's decision to film A SCANNER DARKLY as a live action movie and then to overlay animation over the images has created a hallucinatory, almost dreamlike quality to the action and imagery that is fantastically apt for Dick's novel of drug addiction and paranoia. A SCANNER DARKLY will be one of the most heavily promoted films of the summer and is already one of the season's most talked about, and eagerly anticipated, releases. With its all star cast, a story from one of the century's most influential pop culture figures and its ground-breaking method of production this is a cinema event. The graphic novel gives a unique take on the film's story.
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Trevor Webb Cover Art. Very Good+ Book ---------paperback, a Very Good+ copy, small nick along upper edge of front cover, faint spine crease, a bit of age toning to paper, a nice copy, any image directly beside this listing is the actual book and not a generic photo.
I am a fan of Philip K Dick and a fan of Linklater's animated films. I loved the film and I love the book, which is an amalgam of the story, the movie, a graphic novel and the storyboard for the film. The only thing I'm not as fond of is the oblong format, which doesn't fit with the sci-fi on my shelf. I suppose I should put it with the mis-matched sizes of the art section, which is probably where it should be. A wonderful book all around.
Oct 21, 2008
Science fiction as literature
A Scanner Darkly is a thought-provoking piece of literature. You might already know that, of course. But if you?re like me and have, until now, (a) never read anything by Philip K. Dick and, despite this utter lack of exposure, (b) kind of pooh-poohed the mere notion of reading his books, you might want to reconsider.
A Scanner Darkly is classified as science fiction. When it was published in 1977, perhaps it more closely fit with this genre. However, after encountering this book nearly 30 years later, I find that literary fiction is a more apt classification. Scanner subtly embraces some devices typically associated with science fiction: imagining a totalitarian-leaning future, complete with a few outlandish inventions used by the authorities to rule or subjugate the masses. But this futuristic science isn?t what drives the fiction, which is heavily character-focused and exposition-reliant. Additionally, the contemporary literary canon increasingly exhibits a taste for the fantastic. Recent critical and popular darlings like Jonathan Strange and Mr. Norrell and Never Let Me Go?fictions that are also fantasies?are prime examples of science fiction?s migration into what many consider to be more respectable territory.
Dick is one of many science fiction authors who struggled for acceptance, largely because of his chosen genre. It looks to me like he was writing before his time, at least concerning A Scanner Darkly. This book is a story of drug use, abuse, and overdose. It drops you into an average Los Angeles neighborhood. But the house you inhabit in this subdivision is the filthy, ramshackle home of a band of dopers, and one of the addicts, Bob Arctor, happens to be an undercover drug enforcement officer who has assumed a new identity and infiltrated the drug scene in order to expose and bring down syndicate leaders.
From a distance, the initial set-up is somewhat cookie-cutter. The intrigue and artistry occur when Dick addicts the would-be narc to Substance D, an organic, overwhelming drug that, over time, surreptitiously leaves Arctor with a kind of man-made multiple personality. Because, in his line of work, drug use is both job requirement and hazard, Arctor feels he doesn?t have much choice than to go with it. Through the course of the novel, therefore, Arctor devolves from someone who is lucidly aware of the dualities of his agent-addict life to two someones who happen to inhabit the same cranium. And it?s fascinating to be an intimate witness to his devolution.
Arctor?s mind is slowly ravaged by Substance D, until the reader is left wondering how the last 20 percent of the novel might play out. (I was very happy that it didn?t become anything like Naked Lunch, which is the worst trip I?ve ever had.) It?s not the plot I expected from Dick. But I never lost interest in Arctor or the story that enfolded him, especially moments involving a very trippy roommate named Jim Barris?the sort of guy who impassively enjoys watching another roomie choke to death.
Scanner?s execution isn?t perfect, and some of it certainly comes off as dated (for example, the repeated and very-1977 references to ?foxy? ladies). But the novel was insightful and as well-written as other good literature I?ve encountered recently, like Ian McEwan?s highly absorbing Saturday. I hate to admit it, but I previously wouldn?t have considered these two books to be in the same class. So now I see how Dick?s skillful writing has influenced my own brain: It?s a mind-expanding drug without all the lingering (and toxic) aftereffects.
Apr 3, 2007
Drugs and religion!
If you've seen the film already then you know it's an excellent book. If you liked Vanilla Sky, Mullholand Dr., and cop and drug film, or even Naked Lunch, then this is the book for you. The druggey dialogue is excellent and the story flows.
Publishers Weekly, 2006-07-10 The great science fiction writer Philip K. Dick died in 1982, but his fame continues to grow-especially through films based on his work, like Terminator and Blade Runner. This dark but devilishly entertaining audio-read by the terrific Giamatti (American Splendor, Sideways)-offers Dick fans the complete book just in time to compare it to Richard Linklater's movie adaptation starring Keanu Reeves, Robert Downey Jr. and Winona Ryder. Giamatti is an inspired choice, managing to capture both the touching charm and the irritating obsessiveness of Dick's leading characters in a slightly futuristic version of Los Angeles: a drug addict named Bob and a narcotics cop called Fred-who might just be the same person, especially since they're both addicted to a drug called Substance D, which gradually splits the user's brain into two warring entities. Dick's book is not for the squeamish or those offended by strong language, but he and Giamatti make the degradation and despair of addiction poignant and often hilarious. Simultaneous release with the Vintage paperback movie tie-in. (May) (c) Copyright PWxyz, LLC. All rights reserved
Publishers Weekly, 2006-01-09 Described as being "like a graphic novel come to life," the 2006 film version of Dick's classic 1977 novel A Scanner Darkly is a full-length animated feature directed by Richard Linklater using rotoscope visual technique. In rotoscoping, filmed actors are digitally transformed into drawings. The graphic novel version of the film consists mostly of direct screen grabs from the animated version. Harvey Pekar has added some narration that has been adapted from the novel. The books and film tell the story of a futuristic Southern California in which drugs are rampant and identity mutable. Keanu Reeves plays an undercover cop who has to spy on and understand the druggy circles around him. The film looks intriguing, but the graphic novel version falls asleep instead of coming to life. Simply arranging film stills on a page to resemble comic book panels does not a narrative make. And while the dialogue seems mostly drawn from the film, the narration, intended to bridge the gap between watching action unfold and reading it, is incongruous and sometimes nonsensical in this setting. This bizarre hybrid is no substitute for Dick's original and will serve best as a reminder of the film. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved
Publishers Weekly, 1991-11-15 America in the near future has lost the war against drugs. Though the government tries to protect the upper class, the system is infested with undercover cops like Fred, who regularly ingests the popular Substance D as part of his ruse. The drug has caused Fred to develop a split personality, of which he is not aware; his alter ego is Bob, a drug dealer. Fred's superiors then set up a hidden holographic camera in his home as part of a sting operation against Bob. Though he appears on camera as Bob, none of Fred's co-workers catch on: since Fred, like all undercover police, wears a scramble suit that constantly changes his appearance, his colleagues don't know what he looks like. The camera in Fred/Bob's apartment reveals that Bob's intimates regularly betray one another for the chance to score more drugs. Even Donna, a young dealer whom Bob/Fred loves, prefers the drug to human contact. Originally published in 1977, the out-of-print novel comes frighteningly close to capturing the U.S. in 1991, in terms of the drug crisis and the relationships between the sexes. But the unrelenting scenes among the addicts make it a grueling read. (Dec.) (c) Copyright PWxyz, LLC. All rights reserved
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