Rudolph Valentino was the silver-screen legend who for ever changed America's idea of the leading man: a frightened young fellow who became the cinematic sex-god of his day. In this definitive retelling of Valentino's short and tragic life - the first fully documented biography of the star - Emily W. Leider looks at the Great Lover's life and ...
Rudolph Valentino was the silver-screen legend who for ever changed America's idea of the leading man: a frightened young fellow who became the cinematic sex-god of his day. In this definitive retelling of Valentino's short and tragic life - the first fully documented biography of the star - Emily W. Leider looks at the Great Lover's life and legacy, and explores the events and issues that made him emblematic of his time. Valentino was reviled in the press for being too 'feminine' a man; yet he also brought to the screen the alluring, savage lover who embodied women's darker, forbidden sexual fantasies. In tandem, Leider explores notions of the outsider in American culture as represented by Valentino's experience as an immigrant who became a celebrity: the silver screen's first dark-skinned romantic hero.
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Good in good dust jacket. A slight tan to the page edges. Ex Library book with usual stamps and stickers. Good condition is defined as: a copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Most items will be dispatched the same or the next working day.
Good Condition in Good jacket. 514 pages. Item Type: Ex-Library. Tanning to pages. Usual library stamps and markings. Illustrated with black and white photographs. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Biography; Biography & Autobiography; ISBN: 0571218180. ISBN/EAN: 9780571218189. Inventory No: 207074.
When it comes to mysterious silent star bigraphies it can be a hard task. However Emily Leider has finally figured out how to cleverly make a story of fact read like a book of fiction. You can tell she throughly researched Rudy's life, right down to his cirth name which so many people have misrepresented (Rudolpho Alfonzo Rafaelo Pierre Filbert Guliemi). She points out that Rudy only changed his name to Valentino later because in italian it means "sweetheart". I was throughly impressed with this books and would highly recommend it. For the first time there is a books about one of the megastars of the silver screen that doesn't beat around the bush!
Jul 10, 2007
The Mystique Lives On
More than 80 years after his death, the name of Rudolph Valentino is still instantly recognizable to most movie fans--even those who have never seen one of his films.
Emily Leider does an excellent job in showing us the man behind the legend, the man behind the mask. The story of his youth in Italy strikes a chord with readers even now because of his restlessness, his searching for something. Valentino was not a good student and not cut out for the military career he thought he wanted. Finally, after failing at both, the 18 year year old bravely sailed for America. He sailed alone; he knew no one in the New World. Neither did he speak English.
He landed in New York City, the center of immigrant life and quickly made connections with other Italians who could show him the ropes. He groped around with menial jobs, anything he could get, until he discovered dancing. Dancing in pre-World War I New York was a specialty Valentino was made for. The "tea rooms" where he danced attracted lonely women who paid for the pleasure of learning the latest ballroom dances. Was Valentino a gigolo? Maybe.
With his dark good looks, smouldering eyes, and ability to learn the dance steps quickly, Valentino became a well-paid and sought after dancer. He made connections with wealthy women, broke into films (shot on Long Island) in small roles, and made a lot of enemies. After a scandal broke concerning a dead husband and a messy trial, Valentino headed west. He landed in San Francisco but soon migrated to Hollywood to try his luck in pictures again.
He ingratiated himself with picture people, landed some small roles, and was doing ok with the help of actors like Norman Kerry and Alla Nazimova. But it was his friendship with writer June Mathis that would land him his first major role in a film that would catapult him to stardom. The film was "The Four Horsemen of the Apocalypse."
Leider carries us through the heady period of Valentino's movie stardom, his failed marriages to Jean Acker and Natacha Rambova, his maybe affair with Pola Negri, and the rumors of his affairs with men. We learn of the hideous legal entanglements (bigamy) and fights with studios (over money) that got him banished from films for more than a year. We learn of Valentino's national tour in a dance act with Rambova and his triumphant return to films.
We get a lot of information about Valentino's big films like "Blood and Sand," "The Sheik," "Cobra," "Beyond the Rocks," "The Eagle," and his final film, "Son of the Sheik." Leider also fills us in on Rudy's interest in the occult and his poetry writing (a 1923 best seller titled "Day Dreams").
Ultimately, Leider's story must end with the sad and shocking death of this great star and icon. She details and blazing headlines that followed the daily hospital reports of Valentino's illness (peritonitis?), his seeming recovery, and swift relapse into a coma and death. The media frenzy surrounding Valentino's illness and death is still unsurpassed. I have seen the newsreel footage of the hordes of people who swarmed the city streets in hopes of seeing Valentino's coffin. Leider shows newspaper accounts of the riots that ensued as tens of thousands of people tried to get one last glimpse of their idol. There were suicides in reaction to Valentino's death. There was the mysterious "woman in black" who followed his coffin west by train as it made its way across country. And of course there was Pola Negri screaming out her love for Valentino, stories of their impending marriage, and accusations of murder..
Leider balances this frenzy with the thoughtful remembrances of Valentino's friends and co-stars like Gloria Swanson, Norma Talmadge, Alice Terry, Vilma Banky, Constance Talmadge, Agnes Ayres, Bebe Daniels, and his big rival, Ramon Novarro.
A must for film buffs. A must for anyone who ever wondered who Rudolph Valentino really was.
Publishers Weekly, 2003-05-01 Leider exhaustively details the life of one Hollywood's first heartthrobs, who was born Rodolfo Guglielmi in 1895 in Apulia, Italy. After being dismissed from several schools for poor grades, Valentino left for Paris in 1913; months later, he found his way to New York: "unlike most of his emigrating countrymen, [he] not was escaping chronic family poverty but rather his own track record and the sense of defeat it had helped create." Valentino became a "taxi dancer," teaching society women how to dance, before beginning his career as a film actor. In 1917, fleeing New York to again redefine himself, Valentino went to Los Angeles. Leiter explains, with particulars that greatly inform but sometimes overwhelm, how Valentino-after a disastrous marriage to lesbian actress Jean Acker-landed his first feature in 1921, The Four Horseman of the Apocalypse. His persona of the smoldering, exotic lover took hold with this film, and later that year with The Son of the Sheik. In 1936, after undergoing surgery for acute appendicitis, Valentino died from infection at age 31. Leider subtly discusses Valentino's sexuality without exploiting it, and wonderfully weaves in his voice (in separating himself from Sheik's portrayal of Arabs, Valentino says: "People are not savages because they have dark skins"). Photos. (May) (c) Copyright PWxyz, LLC. All rights reserved
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