Anthony Browne is the author of "Gorilla" (winner of the Kate Greenaway Medal and the Emil/Kurt Maschler Award), "Piggybook", "Willy the Chimp", "Willy the Wimp", "Willy and Hugh", "Changes", "The Tunnel", "I Like Books", "Look What I've Got", "Alice's Adventures in Wonderland" (winner of the Emil/Kurt Maschler Award), "Hansel and Gretel", "Zoo" ...
Anthony Browne is the author of "Gorilla" (winner of the Kate Greenaway Medal and the Emil/Kurt Maschler Award), "Piggybook", "Willy the Chimp", "Willy the Wimp", "Willy and Hugh", "Changes", "The Tunnel", "I Like Books", "Look What I've Got", "Alice's Adventures in Wonderland" (winner of the Emil/Kurt Maschler Award), "Hansel and Gretel", "Zoo" (winner of the Kate Greenaway Medal) and "King Kong".
Arnold Lobel. VG-(Ex-lib) in VG jacket. Ex-Library. 7 inches high, 8.5 inches wide. Gold cloth, black lettering and deisgn (Hansel and Gretel huddled under a tree). Usual ex-library markings and residue where pocket was removed. Pages clean, whole, strong. DJ protected in clear library covering, taped to cover of book. Illustrations in black, white, and shades of orange. 37 pp.
Publishers Weekly, 2001-07-16 Dorothe? Duntze memorializes another fairy tale by the Brothers Grimm with a palette readers can almost taste in Hansel and Gretel. The gingerbread house looks truly scrumptious, the woods seem foreboding indeed. Copyright 1999 Cahners Business Information.
Publishers Weekly, 1988-06-10 Working from a faithful translation of the original text, Zwerger has created rosy-cheeked, appealing children who look as if they have just descended the Alps. The witch, by contrast, is a shapeless, fiery-eyed ghoul with real scare potential, but the illustrations never take advantage of that; the pictures show passive moments and have an ephemeral quality because there is almost no background for the figures on the page. For example, on one page of text, the stepmother kindles a fire and leaves Hansel and Gretel alone, the birds come and eat the trail of bread crumbs, the children walk for 24 hours without much food, sleep and walk again. Opposite is a picture of the siblings, looking melancholy but not appearing to be in dire straits. The design of the book falters: some of the artwork is horizontal and bleeds, other paintings are vertical, with wide gutters and margins; the text is set in light type without paragraph indentations and so readability suffers. Zwerger's artistic gifts are not wholly in evidenceeven simple details like Hansel's hair color, which varies, are overlooked. For once, her version of a popular story is extraneous, and Hansel and Gretel, so often done and redone, seem lost. Ages 6-up. (June)
Publishers Weekly, 1988-04-29 Originally published in Britain, this is a moody, intense version of the fairy tale that Browne has infused with modern references, heightening the uncanny aspects of an already frightening story. Famine has struck, and the father is persuaded by a frowsy stepmother to ditch their children in the woods. She dies by the time Hansel and Gretel find their way out, after killing the witch. Browne presents jarring, poignant touches through his surrealist eyetrees claw their way to the sky, Gretel's knees are grimly unwashed, the oily-looking wallpaper in their home is cracked and peeling. If the family's poverty of other versions has an aura of romance, this book shows a grinding, terrible hungerfirst for food and then for happiness. It is an unforgettable, moving vision. Ages 3-8. (April) (c) Copyright PWxyz, LLC. All rights reserved
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