Still in her teenage years, Nazneen finds herself in an arranged marriage with a disappointed man who is twenty years older. Away from the mud and heat of her Bangladeshi village, home is now a cramped flat in a high-rise block in London's East End. Nazneen knows not a word of English, and is forced to depend on her husband. But unlike him she is ...
Still in her teenage years, Nazneen finds herself in an arranged marriage with a disappointed man who is twenty years older. Away from the mud and heat of her Bangladeshi village, home is now a cramped flat in a high-rise block in London's East End. Nazneen knows not a word of English, and is forced to depend on her husband. But unlike him she is practical and wise, and befriends a fellow Asian girl Razia, who helps her understand the strange ways of her adopted new British home. Nazneen keeps in touch with her sister Hasina back in the village. But the rebellious Hasina has kicked against cultural tradition and run off in a 'love marriage' with the man of her dreams. When he suddenly turns violent, she is forced into the degrading job of garment girl in a cloth factory. Confined in her flat by tradition and family duty, Nazneen also sews furiously for a living, shut away with her buttons and linings - until the radical Karim steps unexpectedly into her life. On a background of racial conflict and tension, they embark on a love affair that forces Nazneen finally to take control of her fate. Strikingly imagined, gracious and funny, this novel is at once epic and intimate. Exploring the role of Fate in our lives - those who accept it; those who defy it - it traces the extraordinary transformation of an Asian girl, from cautious and shy to bold and dignified woman.
Very Good. A read copy, but no markings throughout, spine unblemished, not an ex-lib e dition. This exciting and deeply moving debut novel follows the tumultuous life of Nazneen from her birth in a Bangladeshi village hut, to her arranged marriage to Chanu and the subsequent move to London's Tower Hamlets Nazneen's inauspicious entry to the world, an apparent stillbirth on the hard mud floor of a Bangladeshi village hut, imbues in her a sense of fatalism that she carries across continents when she is married off to Chanu. Her life in London's Tower Hamlets is, on the surface, calm. For years, keeping house and rearing children, she does what is expected of her. Yet Nazneen walks a tightrope stretched between her daughters' embarrassment and her husband's resentments. Chanu calls his elder daughter the little memsahib. 'I didn't ask to be born here, ' say Shahana, with regular finality. Into that fragile peace walks Karim. He sets questions before her, of longing and belonging; he sparks in her a turmoil that reflects the community's own; he opens her eyes and directs her gaze-but what she sees, in the end, comes as a suprise to them both. While Nazneen journeys along her path of self-realization, a way haunted by her mother's ghost, her sister Hasina, back in Bangladesh, rushes headlong at her life, first making a 'love marriage', then fleeing her violent husband. Woven through the novel, Hasina's letters from Dhaka recount a world of overwhelming adversity. Shaped-yet ultimately not bound-by their landscapes and memories, both sisters struggle to dream themselves out of the rules prescribed for them. Beautifully rendered and, by.
Publishers Weekly, 2003-06-23 The immigrant world Ali chronicles in this penetrating, unsentimental debut has much in common with Zadie Smith's scrappy, multicultural London, though its sheltered protagonist rarely leaves her rundown East End apartment block where she is surrounded by fellow Bangladeshis. After a brief opening section set in East Pakistan-Nazneen's younger sister, the beautiful Hasina, elopes in a love marriage, and the quiet, plain Nazneen is married off to an older man-Ali begins a meticulous exploration of Nazneen's life in London, where her husband has taken her to live. Chanu fancies himself a frustrated intellectual and continually expounds upon the "tragedy of immigration" to his young wife (and anyone else who will listen), while letters from downtrodden Hasina provide a contrast to his idealized memories of Bangladesh. Nazneen, for her part, leads a relatively circumscribed life as a housewife and mother, and her experience of London in the 1980s and '90s is mostly indirect, through her children (rebellious Shahana and meek Bibi) and her variously assimilated neighbors. The realistic complexity of the characters is quietly stunning: Nazneen shrugs off her passivity at just the right moment, and the supporting cast-Chanu, the ineffectual patriarch; Nazneen's defiant and struggling neighbor, Razia (proud wearer of a Union Jack sweatshirt); and Karim, the foolish young Muslim radical with whom Nazneen eventually has an affair-are all richly drawn. By keeping the focus on their perceptions, Ali comments on larger issues of identity and assimilation without drawing undue attention to the fact, even gracefully working in September 11. Carefully observed and assured, the novel is free of pyrotechnics, its power residing in Ali's unsparing scrutiny of its hapless, hopeful protagonists. (Sept.) Forecast: Ali, who was the only unpublished writer on the Granta Best of Young British Novelists 2003 list, should attract considerable attention as she embarks on a five-city author tour in the U.S. (c) Copyright PWxyz, LLC. All rights reserved
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