Fadiman returns to one of her favorite genres, the familiar essay--a beloved and hallowed literary tradition recognized for both its intellectual breadth and its miniaturist focus on everyday experiences.Fadiman returns to one of her favorite genres, the familiar essay--a beloved and hallowed literary tradition recognized for both its intellectual breadth and its miniaturist focus on everyday experiences.Read Less
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Publishers Weekly, 2007-03-19 Fadiman, a National Book Critics Circle Award winner for The Spirit Catches You and You Fall, makes a bold claim: "I believe the survival of the familiar essay is worth fighting for." The "familiar essays" that Fadiman champions and writes are in the mold of the early 19th century, rather than critical or personal works as we've come to know them. Her essays combine a personal perspective with a far-reaching curiosity about the world, resulting in pieces that are neither so objective the reader can't see the writer behind them nor too self-absorbed. And spending some time with Fadiman is a pure delight. She loves the natural world and taxonomies of all kinds, as well as ice cream and coffee. Her love of the romantic age goes beyond the stylistic, and she prefers Coleridge and Lamb over Wordsworth and Southey. The collection rolls good-naturedly through its subjects until the final piece-an account of a whitewater rafting trip that went tragically awry, a harrowing reminder of the stakes on which all endeavors rest. This collection is a perfectly faceted little gem. Essayists, of both the critical and personal sort, could do worse than to follow Fadiman into the realm of the familiar. (May) (c) Copyright PWxyz, LLC. All rights reserved
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