Jamaica Kincaid's new novel is narrated by a seventy-year old West Indian woman looking back on her life and evoking the relationships that have given it meaning. Her themes are sex, human relations, and the interplay of power and powerlessness - and how easy it is to fall from one into the other. Her story, which begins at the height of ...
Jamaica Kincaid's new novel is narrated by a seventy-year old West Indian woman looking back on her life and evoking the relationships that have given it meaning. Her themes are sex, human relations, and the interplay of power and powerlessness - and how easy it is to fall from one into the other. Her story, which begins at the height of imperialism and ends in the twilight of colonialism, abounds in the vivid characters, strong situations and pyrotechnic writing that make Jamaica Kincaid one of our most compelling novelists.
New in fine dust jacket. SHIP DAILY from NJ; GIFT-ABLE as NEAR NEW, UNREAD FIRST, fresh, NEW (no sign of shelf life) w/DJ NEAR NEW (subtle sign shelf copy) AS SHOWN THIS COVER. Sewn binding. Paper over boards. With dust jacket. 228 p. Audience: General/trade.10113 10113--Narrated by an elderly West Indian woman looking back on her life, a story beginning at the height of imperialism and ending as colonialism fades deals with sex, human relations, and the interplay of power and powerlessness. By the author of Annie John.
Publishers Weekly, 1995-10-09 Kincaid's third novel (after Annie John) is presented as the mesmerizing, harrowing, richly metaphorical autobiography of 70-year-old Xuela Claudette Richardson. Earthy, intractably antisocial, acridly introspective, morbidly obsessed with history and identity, conquest and colonialism, language and silence, Xuela recounts her life on the island of Dominica in the West Indies. In Kincaid's characteristically lucid, singsong prose, Xuela traces her evolution from a young girl to an old woman while interrogating the mysteries of her hybrid cultural origins and her parents, who failed to be parents: her mother died during childbirth; her often absent father, a cruel and petty island official, cultivates a veneer of respectability (``another skin over his real skin''), rendering him unrecognizable to his daughter. At 14, Xuela undertakes an affair with one of her father's friends, becomes pregnant and aborts the child. Experiencing that trauma as a rebirth (``I was a new person then''), she inaugurates a life of deliberate infertility, eventually becoming the assistant to a European doctor, whom she later marries. Xuela's Dominica, two generations after slavery, is a ``false paradise'' of reckless fathers and barren matrilinear relations, of tropical ferment, fecundity, witchcraft and slums, whose denizens resemble the walking dead. With aphoristic solemnity at times evocative of Ecclesiastes, Kincaid explores the full paradoxes of this extraordinary story, which, Xuela concludes, is at once the testament of the mother she never knew, of the mother she never allowed herself to be and of the children she refused to have. 75,000 first printing; major ad/ promo; author tour; translation, first serial, dramatic rights: Wylie, Aitken & Stone. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved
Alibris, the Alibris logo, and Alibris.com are registered trademarks of Alibris, Inc.
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited, Baker & Taylor, Inc., or by their respective licensors, or by the publishers, or by their respective licensors. For personal use only. All rights reserved. All rights in images of books or other publications are reserved by the original copyright holders.