This title comes with an introduction by Marina Warner and illustrations by Mervyn Peake. Coleridge's celebrated poem was written at the suggestion of William Wordsworth in the early days of their friendship, and published for the first time in 1798. It is the story of a nightmare voyage to the South Pole told by the sole survivor, the bright-eyed ...
This title comes with an introduction by Marina Warner and illustrations by Mervyn Peake. Coleridge's celebrated poem was written at the suggestion of William Wordsworth in the early days of their friendship, and published for the first time in 1798. It is the story of a nightmare voyage to the South Pole told by the sole survivor, the bright-eyed ancient mariner whose wanton killing of an albatross, a bird of good omen, brought misfortune on the ship and all its crew. The poem is brilliantly illustrated by Mervyn Peake. His powerful, arresting images perfectly express the qualities of the text, its gothic atmosphere and supernatural terrors, ultimately softened by pity and the hope of redemption.
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Fair. Good copy for reading, may have heavy page wear with writing textual notes highlighting or be an heavily used ex library copy with library markings, stickers or stamps. Dust jacket or accessories may not be included.
Publishers Weekly, 2002-03-04 "It is an ancient Mariner, and he stoppeth one of thee...." Although these ominous lines perennially instill fear of final exams and term papers in the minds of high school students and Romantic English majors, they're not often remembered by adults. Mason's reading of Coleridge's 1796 epic poem is at once hypnotic and stirring. The Academy Award-nominated actor reads the chilling tale involving clashes with sea monsters, a boat swarming with zombies and a dice game with Death in an authoritative English accent. Like the ocean surrounding the Mariner's ship, his voice ebbs and flows with the imaginative poem's various heights. He quickly rattles off, "water, water, every where, and all the boards did shrink; Water, water, everywhere, nor any drop to drink" but gently whispers "And I had done an hellish thing, and it would work `em woe: For all averred, I had killed the bird that made the breeze to blow." Coleridge (1772-1834), uses words to make the fantastical believable, and here, Mason brings those words vividly to life. A bonus track features Mason's animated reading of The Hunting of the Snark, an eight-canto poem by Lewis Carroll. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved
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