Called upon by The Hammond Museum and renowned art scholar Dr. Ashton Prince, Spenser accepts his latest case: to provide protection during a ransom exchange--money for a stolen painting. The case becomes personal when Spenser fails to protect his client and the valuable painting remains stolen.Called upon by The Hammond Museum and renowned art scholar Dr. Ashton Prince, Spenser accepts his latest case: to provide protection during a ransom exchange--money for a stolen painting. The case becomes personal when Spenser fails to protect his client and the valuable painting remains stolen.Read Less
Publishers Weekly, 2010-08-16 At the start of the lackluster 38th Spenser novel from late MWA Grand Master Parker, the iconic Boston PI agrees to protect art historian Ashton Prince during the exchange for cash of a rare painting held for ransom, 17th-century Dutch artist Franz Hermenszoon's Lady with a Finch. When a bomb kills Prince during the botched exchange, Spenser naturally plans to even the score. And naturally, Spenser's probing-into the painting's complex history, Prince's twisted life, the museum that owned the painting-leads to violent reactions. Spenser's habitual wisecracking often comes across as merely smart-alecky, but as always he backs the attitude with performance. While this crime thriller is short on the kind of grit and character that earned Parker (1932-2010) an Edgar Award and numerous Shamus nominations, fans should still relish this probably final opportunity to enjoy the inimitable Spenser, who made his debut in 1973's The Godwulf Manuscript. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.
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