Late at night in a seedy hotel, Richard is drawn into a strange conversation with a fellow guest. Through a narrow strip of mosquito netting he hears for the first time of a secret beach, an island Garden of Eden, hidden somewhere in the scattered islands of a Thai marine park. The next morning, Richard finds a map pinned to his door, and the man ...
Late at night in a seedy hotel, Richard is drawn into a strange conversation with a fellow guest. Through a narrow strip of mosquito netting he hears for the first time of a secret beach, an island Garden of Eden, hidden somewhere in the scattered islands of a Thai marine park. The next morning, Richard finds a map pinned to his door, and the man who put it there has slashed his wrists. The challenge is irresistible, and Richard sets off on a perilous journey in search of Shangri-La.
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Publishers Weekly, 1996-12-02 Garland's amphetamine-paced first novel plunks some young European expats down on a remote island in the Gulf of Thailand. There, tired of the prepackaged experience available to them in the West, they try to create their own paradise. The narrator is an Englishman named Richard. Born in 1974, he has grown up on popular culture and is a fan of video games and Vietnam War movies. While staying at a creaky Bangkok guest house, he finds a carefully drawn map left by his angry, doped-up neighbor, a suicide who called himself Mr. Daffy Duck. The map points the way to a legendary beach where, it's rumored, a few favored international wanderers have settled. Richard's new friends, Etienne and Fran?oise, convince him to help them find the island. But Richard, inspired by sudden anxiety about Etienne, gives a copy of the map to two American backpackers-an act that later haunts him as keenly as the ghost of Mr. Duck. Richard and his French companions find the island: half is covered by a marijuana plantation patrolled by well-armed guards; the other half consists of a gorgeous beach and forest where a small band of wandering souls live a communal life dominated by a gently despotic woman named Sal. At times, Garland seems to be trying to say something powerful about the perils of desiring a history-less Eden. But his evocations of Vietnam, Richard's hallucinatory chats with the dead Mr. Duck and various other feints in the direction of thematic gravity don't add up to much. Garland is a good storyteller, though, and Richard's nicotine-fueled narrative of how the denizens of the beach see their comity shatter and break into factions is taut with suspense, even if the bloody conclusion offers few surprises. 150,000 first printing; $150,000 ad/promo; foreign rights sold in the U.K., Germany, Holland, Italy. (Feb.)
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