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Alessandro Vittoria's portrait busts are unique in Italian art for their quality and quantity. No other Renaissance sculptor devoted himself so ...Show synopsisAlessandro Vittoria's portrait busts are unique in Italian art for their quality and quantity. No other Renaissance sculptor devoted himself so exclusively to portraiture. This is the first book on Vittoria, in English, to analyze the busts and explain their larger meaning in terms of the fundamental Renaissance preoccupation with reviving activity.Hide synopsis
Alessandro Vittoria and the Portrait Bust in Renaissance Venice: Remodelling Antiquity (Oxford University Press, USA) – Hardcover (1999)
by
Dr. Thomas Martin
Hardcover, Oxford University Press, USA 1999
English
312 pages
ISBN: 0198174179 ISBN-13: 9780198174172
An examination of Alessandro Vittoria, which aims to provide an analysis of the chronology and style of Vittoria's portrait busts. Vittoria was one of the greatest sculptors of 16th-century Italy, and the greatest portraitist in Italian sculpture prior to Bernini. The book aims to both clarify the work of a major Renaissance artist and place it in context by explaining how Vittoria, who produced portraits modelled on ancient Roman busts, was responding to cultural and political forces which fostered a classicizing style in ...Show moreAn examination of Alessandro Vittoria, which aims to provide an analysis of the chronology and style of Vittoria's portrait busts. Vittoria was one of the greatest sculptors of 16th-century Italy, and the greatest portraitist in Italian sculpture prior to Bernini. The book aims to both clarify the work of a major Renaissance artist and place it in context by explaining how Vittoria, who produced portraits modelled on ancient Roman busts, was responding to cultural and political forces which fostered a classicizing style in Venice. Special attention is devoted to Vittoria's patrons, many of whom were collectors of ancient art. Professor Martin demonstrates that, even more than Palladio's buildings, the portrait busts of Vittoria were the foremost expression of classicism in Renaissance Venice. This book is intended for art historians, Renaissance historians especially those interested in Venice and the revival of antiquity in the Renaissance, museum curatorsHide
Title: Alessandro Vittoria and the Portrait Bust in Renaissance Venice: Remodelling Antiquity (Clarendon Studies in the History of Art, No. 20) Author:Dr. Thomas Martin ISBN-13:9780198174172 ISBN:0198174179
Description:Very Good. 0198174179. Hardcover. 4to. Oxford University Press....Very Good. 0198174179. Hardcover. 4to. Oxford University Press. 1999. 312 pgs. DJ in VG shape with some shelfwear present to the DJ (near the top and bottom edges). No ownership marks present. Text is clean and free of marks, binding tight and solid, boards clean with no wear present. 263; Clarendon Studies in the History of Art; 4to 11"-13" tall; 312 pages.
Title: Alessandro Vittoria and the Portrait Bust in Renaissance Venice: Remodelling Antiquity (Clarendon Studies in the History of Art) Author:Dr. Thomas Martin ISBN-13:9780198174172 ISBN:0198174179
Description:Good. 0198174179 Used book, in good condition |No supplements |...Good. 0198174179 Used book, in good condition |No supplements | Normal wear to cover and spine | Page markings | Inventory sticker present | Satisfaction guaranteed!
Description:Clarendon Studies in the History of Art. First edition....Clarendon Studies in the History of Art. First edition. 280x220mm xviii+194 pages with index text, plus unpaginated pages of 164 black and white plates. Cloth. Fine in dustjacket. An examination of Alessandro Vittoria, which aims to provide an analysis of the chronology and style of Vittoria's portrait busts. Vittoria was one of the greatest sculptors of 16th-century Italy, and the greatest portraitist in Italian sculpture prior to Bernini. The book aims to both clarify the work of a major Renaissance artist and place it in context by explaining how Vittoria, who produced portraits modelled on ancient Roman busts, was responding to cultural and political forces which fostered a classicizing style in Venice. Special attention is devoted to Vittoria's patrons, many of whom were collectors of ancient art. Professor Martin demonstrates that, even more than Palladio's buildings, the portrait busts of Vittoria were the foremost expression of classicism in Renaissance Venice. This book is intended for art historians, Renaissance historians especially those interested in Venice and the revival of antiquity in the Renaissance, museum curators.
Title: Alessandro Vittoria and the Portrait Bust in Renaissance Venice: Remodelling Antiquity (Clarendon Studies in the History of Art) Author:Dr. Thomas Martin ISBN-13:9780198174172 ISBN:0198174179
Title: Alessandro Vittoria and the Portrait Bust in Renaissance Venice: Remodelling Antiquity (Clarendon St Author:Dr. Thomas Martin ISBN-13:9780198174172 ISBN:0198174179
Title: Alessandro Vittoria and the Portrait Bust in Renaissance Venice: Remodelling Antiquity (Clarendon St Author:Dr. Thomas Martin ISBN-13:9780198174172 ISBN:0198174179
Title: Alessandro Vittoria and the Portrait Bust in Renaissance Venice: Remodelling Antiquity (Clarendon St Author:Dr. Thomas Martin ISBN-13:9780198174172 ISBN:0198174179