Commissario Guido Brunetti of the Venice Questura is shocked to hear that Brett Lynch, a friend since a murder case at La Fenice, has suffered a savage beating. The attack, in the beautiful palazzo home of Flavia Petrelli, reigning diva of La Scala, had come with a message: "Don't keep that appointment with Dottor Semenzato."Then, with the storm ...
Commissario Guido Brunetti of the Venice Questura is shocked to hear that Brett Lynch, a friend since a murder case at La Fenice, has suffered a savage beating. The attack, in the beautiful palazzo home of Flavia Petrelli, reigning diva of La Scala, had come with a message: "Don't keep that appointment with Dottor Semenzato."Then, with the storm clouds gathering fast over the city, a man's body is found...
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Another colorful mystery with familiar characters, Commissaire Guido Brunetti brings this mystery to a suspenseful climax. My knees where shaking.
Aug 4, 2007
great setting but typical formula mystery
The setting in Venice is wonderful, the comments about Venetian ethnic culture (which does differ from other areas of Italy) were interesting, but the mystery was the typical stuff of so many of these series. A lot of people like this stuff.
Publishers Weekly, 2004-08-16 In Leon's fifth Commissario Guido Brunetti mystery, the beating of renowned art historian Dotoressa Brett Lynch draws the contemporary Venetian police detective out of his warm and loving home and into the yearly onslaught of acqua alta, the torrential winter rains. Brett, an American who spearheaded a recent exhibition of Chinese pottery in Venice, lives with her lover, Flavia Petrelli, the reigning diva of La Scala. With his open mind and good sense, Brunetti finds himself more fazed by Flavia's breathtaking talent than by the nontraditional relationship between the two women. Brunetti's deliberate and humane investigation to uncover a motive for Brett's beating takes him to dark, wet corners of Venice and into a sinister web of art theft, fakery and base human desires. While there may be a whiff of stereotype in Brunetti's assumptions about a character of Sicilian heritage, the action builds to a dramatic and deeply satisfying climax. Intricate and intimate descriptions of Venetian life fill these pages and prove that Leon has once again created a high-stakes mystery in which the setting vibrates with as much life as the story itself. Agent, Susanne Bauknecht at Diogenes (Switzerland). (Sept.) Forecast: Last year's release of Uniform Justice, Leon's first U.S. novel since 1996, to great acclaim heralded a Leon revival in this country. This will help keep the momentum going. Copyright 2004 Reed Business Information.
Publishers Weekly, 1996-09-03 Intelligent and charming Guido Brunetti, the commissioner of police in Venice (seen before in Death at La Fenice and Death in a Strange Country), continues to confront corruption in his fifth adventure. His moral anger pervades and gives substance to this mystery, from its peripheral incidents to the resolution, in which the villain explains all and which occurs in the rising waters of the title. Investigating an assault on American archeologist Brett Lynch, Brunetti wonders whether the two men who beat her are simply homophobic (Lynch's lover is a popular soprano) or, as Lynch suggests, whether they were trying to prevent her planned meeting with museum director Francesco Semenzato. Five years earlier, Lynch and Semenzato brought a touring display of Chinese antiquities to Venice. Recently, Lynch, on a dig in China, saw the same pieces and realized some had been replaced by fakes. Brunetti's sources suggest that Semenzato's interests in antiques are more diverse than is proper for a powerful museum director, but there's no opportunity for a confrontation: only four days after the beating, Semenzato is murdered. As Brunetti wends his way around the insider's Venice and through accumulating information (not all obtained entirely honestly), he also deals with his superiors, his wife and teenage daughter, all the while remaining the thoughtful, sensitive sleuth readers have come to expect. (Oct.)
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