Four young women are brutally attacked in a convent near an all-black town in America in the mid-1970s. The inevitability of this attack, and the attempts to avert it, lie at the heart of PARADISE. Spanning the birth of the Civil Rights movement, Vietnam, the counter culture and the politics of the late 1970s, deftly manipulating past, present and ...
Four young women are brutally attacked in a convent near an all-black town in America in the mid-1970s. The inevitability of this attack, and the attempts to avert it, lie at the heart of PARADISE. Spanning the birth of the Civil Rights movement, Vietnam, the counter culture and the politics of the late 1970s, deftly manipulating past, present and future, this novel of mysterious motives reveals the interior lives of the citizens of the town with astonishing clarity. The drama of its people - from the four young women and their elderly protector, to conservative businessmen, rednecks, a Civil Rights minister and veterans of three wars - richly evokes clashes that have bedevilled American society: between race and racelessness; patriarchy and matriarchy; religion and magic; freedom and belonging; promiscuity and fidelity. Magnificent in its scope, PARADISE is a revelation in the intensity of its potrayal of human complexity and in the sheer force of its narrative.
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New in -1 jacket. The theme of this novel is the anatomy of an internecine war, cultural, religious and racial. It is waged between a community of nuns and the strays and misfits who arrive at their convent for safe haven, and those who dwell in the surrounding black township in Oklahoma.
Publishers Weekly, 1997-11-17 So intense and evocative in its particulars, so wide-ranging in its arch, this is another, if imperfect, triumph for the Nobel Prize-winning author (Song of Solomon; Beloved; etc.). In 1950, a core group of nine old families leaves the increasingly corrupted African American community of Haven, Okla., to found in that same state a new, purer community they call Ruby. But in the early 1970s, the outside world begins to intrude on Ruby's isolation, forcing a tragic confrontation. It's about this time, too, that the first of five damaged women finds solace in a decrepit former convent near Ruby. Once the pleasure palace of an embezzler, the convent had been covered with lascivious fixtures that were packed away or painted over by the nuns. Time has left only "traces of the sisters' failed industry," however, making the building a crumbling, fertile amalgam of feminine piety and female sexuality. It's a woman's world that attracts the women of RubyŠand that repels the men who see its occupants as the locus of all the town's ills. They are "not women locked safely away from men; but worse, women who chose themselves for company, which is to say not a convent but a coven." Only when Morrison treats the convent women as an entity (rather than as individual characters) do they lose nuance, and that's when the book falters. Still, the individual stories of both the women and the townspeople reveal Morrison at her best. Tragic, ugly, beautiful, these lives are the result of personal dreams and misfortune; of a history that encompasses Reconstruction and Vietnam; and of mystical grandeur. 400,000 first printing; simultaneous audio and large print editions (ISBN 0-375-40179-2; -70217-2) (Jan.) (c) Copyright PWxyz, LLC. All rights reserved
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