Winner of the Newbery Medal. When a baby escapes a murderer intent on killing his entire family, who would have thought it would find safety and security in the local graveyard? Brought up by the resident ghosts, ghouls and spectres, Bod has an eccentric childhood learning about life from the dead. But for Bod there is also the danger of the ...Read MoreWinner of the Newbery Medal. When a baby escapes a murderer intent on killing his entire family, who would have thought it would find safety and security in the local graveyard? Brought up by the resident ghosts, ghouls and spectres, Bod has an eccentric childhood learning about life from the dead. But for Bod there is also the danger of the murderer still looking for him - after all, he is the last remaining member of the family. A stunningly original novel deftly constructed over eight chapters, featuring every second year of Bod's life, from babyhood to adolescence. Will Bod survive to be a man?Read Less
My son loves Neil Gaiman and he is 9 years old...I ordered most of his books.
Jul 25, 2009
Good read for young and old
Fun, thoughtful, and sweet read. The main character, Bod, is a boy raised by the kind-hearted ghosts of a graveyard since he was an infant. The main plot of the book loosely revolves around a menacing threat against the main character and the inevitable confrontation, but it doesn't really dwell on it. Although Gaiman does his normally solid job of bridging worlds like they've always existed like this, the best parts of the book are the many soft touches about getting to around 14 years old. The understated themes of the book: finding your place, the transitions and sacrifices (wanted or not) that occur as you move from one phase of your life to the next, living your life, etc. should find a receptive audience among readers of all ages.
Feb 17, 2009
This book begins with the horrifying murder of an entire family in their home ? or almost the entire family, as a toddler manages to slip away into the night and away from the immediate danger lurking in his home. The reader, like the toddler, is spared witnessing violence.
The toddler is rescued by the neighbors, to begin the adventure of a very unconventional life. The neighbors live in a graveyard, and they protect and care for the toddler in only the best fashion that the dead can provide!
Adopted by the childless couple, Mr. and Mrs. Owens, the toddler is named Nobody Owens, because he looks like nobody but himself. He became known as Bod, (the shortened version of Nobody), and is given the ?Freedom of the Graveyard?. Also bestowed with the Freedom of the Graveyard is Silas, the resident of the graveyard who is capable of traveling between the graveyard and the rest of the world. Silas accepts responsibility for procuring food for the living child and eventually becomes his tutor. Bod, who knows no other life, discovers a balance between the living and the dead.
While Bod attempts to learn history from the graveyard denizens, or perhaps the ghostly art of ?Fading?, the reader learns about the continued threat of the murderer of Bod?s family and why Bod?s existence continues to threaten the murderer. As this coming of age tale unfolds, we also learn the truth about those plotting against Bod and the mysterious origins of some of Bod?s tutors. As supernatural as all of his surroundings appear, Bod is like other boys in that he belongs to a family, discovers love, makes friends, and develops toward adulthood. All these things prepare him for the day when he must leave the graveyard and return to live the life for which he was born.
To some analysts concerned with the trend in paranormal juvenile and young adult literature, it is understandable why there would be some apprehension toward recommending this book to young readers, and perhaps this could be the only negative aspect of the book. After all, books concerning murder and violence are universally considered unsuitable for young readers. However, once the true nature of the book is revealed, it should dispel any apprehension of the paranormal, horror, or violence and see that this is really a story of caring, presented in a way that is suitable for young readers.
This book engages the reader from the first sentence in which we immediately want to know who holds the murder weapon, and why. The characters are believable in their reactions and emotions although they are wholly imaginary. The graveyard represents a place of safety in which Bod is able to rely when threatened by the murderer or by other unworldly perils. In a place that should be ultimately foreboding, Bod instead learns what it means to live life to the fullest.
The writing is excellent and the storyline is compelling. This book was selected to receive the 2008 Newbery Award. The author says that it was unlikely to be selected because the award is generally bestowed upon works of more serious intent, and not one intended to be a fun read. And a fun read it is! Although consistent with the current trend in paranormal subject matter in juvenile books, this work would be enjoyed by readers who don?t normally read horror or ghost stories. Even though the paranormal aspect is an intrinsic component of the story, it is not the key message of the book.
I found this book to keep my interest through all the adventures and experiences of Bod Owens. The pace would not allow me to set the book down. The tempo of the story combined with the excellent storyline will certainly appeal to young readers. It is the perfect vehicle for escapism. It is one that easily takes the reader away from reality and returns the reader again, in a quite fun and touching manner.
Dec 18, 2008
The dead are rather warm
and lively! This was a fun, engaging, and thought provoking (in my own way) escape from my mature daily government job.
Romulus and Remus were raised by wolves, but what happens when a gifted and special young man is raised by the dead? Youth is challenging, but when you literally have the wisdom of the ages at your disposal, and are given the run of your graveyard home, then something very special is bound to happen.
Very appropriate for young adults and old ones too. (Nothing naughty, and all quite nice.)
Publishers Weekly, 2014-05-19 As he did with Coraline, Russell makes the recasting of Gaiman's Newbery-winning novel into graphic form look easy with this vastly entertaining adaptation, first in a two-book set (the second volume is due in late September). Russell conceives the look and layout of the graveyard world inhabited by Bod (short for "Nobody"), the infant who has escaped his family's murderer; six artists, including Kevin Nowlan, Stephen B. Scott, Galen Showman, and Jill Thompson, contribute a chapter apiece. The overall effect is remarkably unified, and the thread of the narrative is always crystal-clear. Bod's devoted adoptive parents, the ghosts Mr. and Mrs. Owens, and the other graveyard inhabitants are dressed in evocative period costumes and drawn in ethereal blue, while Bod's teacher and mentor Silas, about whose status the book was coy, is revealed as a vampire, with a splendid cape and a chiseled jawline. The artwork sets out to entertain rather than to horrify; even the initial murder scene has a certain tranquility. It's a treasure worth having even if the novel is already on the shelf. Ages 8-12. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved.
Publishers Weekly, 2008-09-29 A lavish middle-grade novel, Gaiman's first since Coraline, this gothic fantasy almost lives up to its extravagant advance billing. The opening is enthralling: "There was a hand in the darkness, and it held a knife." Evading the murderer who kills the rest of his family, a child roughly 18 months old climbs out of his crib, bumps his bottom down a steep stairway, walks out the open door and crosses the street into the cemetery opposite, where ghosts take him in. What mystery/horror/suspense reader could stop here, especially with Gaiman's talent for storytelling? The author riffs on the Jungle Book, folklore, nursery rhymes and history; he tosses in werewolves and hints at vampires--and he makes these figures seem like metaphors for transitions in childhood and youth. As the boy, called Nobody or Bod, grows up, the killer still stalking him, there are slack moments and some repetition--not enough to spoil a reader's pleasure, but noticeable all the same. When the chilling moments do come, they are as genuinely frightening as only Gaiman can make them, and redeem any shortcomings. Ages 10-up. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
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