"There is no one quite like Barbara Kingsolver in contemporary literature," raves the Washington Post Book World, and it is right. She has been nominated three times for the ABBY award, and her critically acclaimed writings consistently enjoy spectacular commercial success as they entertain and touch her legions of loyal fans. In "High Tide in ...
"There is no one quite like Barbara Kingsolver in contemporary literature," raves the Washington Post Book World, and it is right. She has been nominated three times for the ABBY award, and her critically acclaimed writings consistently enjoy spectacular commercial success as they entertain and touch her legions of loyal fans. In "High Tide in Tucson", she returns to her familiar themes of family, community, the common good and the natural world. The title essay considers Buster, a hermit crab that accidentally stows away on Kingsolver's return trip from the Bahamas to her desert home, and turns out to have manic-depressive tendencies. Buster is running around for all he's worth-- one can only presume it's high tide in Tucson. Kingsolver brings a moral vision and refreshing sense of humor to subjects ranging from modern motherhood to the history of private property to the suspended citizenship of human beings in the Animal Kingdom. Beautifully packaged, with original illustrations by well-known illustrator Paul Mirocha, these wise lessons on the urgent business of being alive make it a perfect gift for Kingsolver's many fans.
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Publishers Weekly, 1995-08-07 Novelist Kingsolver (Pigs in Heaven) is not one to let her miscellany stagnate; she has revised or expanded many of the 25 essays included here, most of which have previously been published, and yes, there are thematic links in her view of family, writing, politics and places. The strongest link is Kingsolver's wise and spirited voice, animated by poetic and precise language. A Kentucky transplant to Arizona, Kingsolver recounts the triumph and pathos of her return home as a novelist; she also delights in recollecting her role in the notorious Rock Bottom Remainders, the band of writers famous for their ABA performances. ``Raising children is a patient alchemy,'' she declares; indeed, her self-imposed exile during the Gulf War led her to Spain's Canary Islands and an atmosphere of much greater affection for kids. Reports from Benin and Hawaii, even her aquarium, show the author to be a curious and sensitive observer. Most telling perhaps are Kingsolver's reflections on her mission: because it aims to convey truths we know but can't feel, ``[g]ood art is political, whether it means to be or not.'' Illustrations. Literary Guild alternate. (Oct.)
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