'I'm in the Last Chance Saloon. In my decrepit, thirty-one-year-old state, I'd probably never get another man ...' Tara, Katherine and Fenton have been best friends since they were teenagers. Now in their early thirties, they've been living it up in London for ten years. But what have they got to show for it? Sure, Tara's got her boyfriend - but ...Read More'I'm in the Last Chance Saloon. In my decrepit, thirty-one-year-old state, I'd probably never get another man ...' Tara, Katherine and Fenton have been best friends since they were teenagers. Now in their early thirties, they've been living it up in London for ten years. But what have they got to show for it? Sure, Tara's got her boyfriend - but she loves retail therapy so much more. Katherine, on the other hand, is a serial singleton whose neatness fetish won't let a man mess up her life. And Fenton? Well, Fenton has everything. Until he gets ill and he has to ask himself: what have you got if you haven't got your health? All three are drinking in the last chance saloon and they're about to discover that if you don't change your life, life has a way of changing you...Read Less
Very good. Appearance of only slight previous use. Cover and binding show a little wear. All pages are undamaged with potentially only a few, small markings. Help save a tree. Buy all your used books from Thriftbooks. Read. Recycle and Reuse.
Publishers Weekly, 2001-07-30 Imagine Bridget Jones in a Jacobean revenge drama, a sort of 'Tis a Pity She's Single that's the flavor of this entry in the urban unmarried female angst sweepstakes. This time, the protagonists are two London women who grew up together in the small, repressive Irish town of Knockavoy. Tara, a computer analyst, lives with Thomas, a bitter and miserly high school geography teacher. Afraid to live on her own, she is willing to overlook the fact that Thomas ignores her birthday, constantly monitors her eating habits and insults her friends under the guise of being "honest." Katherine Casey, an accountant for an advertising agency, wears boring suits, has a hyperorganized underwear drawer and brushes off all advances, including those of attractive advertising account executive Joe Roth. As they turn 31, each woman is full of suggestions for improving the other's life and full of excuses for doing nothing about her own. That begins to change when Fintan O'Grady, their gay pal and fellow Knockavoy refugee, falls ill with a mysterious disease. As their paths are crisscrossed by a self-centered Irish actor named Lorcan Larkin, Fintan emotionally blackmails Tara and Katherine into making long-needed changes. Keyes (Lucy Sullivan Is Getting Married) effectively describes the young women's searches for autonomy and love, but her flippant, arch tone is less effective when recounting the more grim stories of Fintan and Lorcan. In addition, some of the repartee, perhaps fresh when the book was originally published in Great Britain in 2001, already seems shopworn. The Knockavoy refugees are a sympathetic trio, however, and their deftly plotted saga is likely to appeal to fellow singletons. (Aug.) Forecast: Readers will have to be nearly as desperate as the heroines of Keyes's relationship drama to find satisfaction here but there's no underestimating the appeal of even halfway decent girl-talk books. Copyright 2001 Cahners Business Information.
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