It began when Lou Bigelow and Toby Maytree first met. He was back home in Provincetown after the war. Maytree first saw her on a bicycle. A red scarf, white shirt, skin clean as eggshell, wide eyes and mouth, shorts. She stopped and leaned on a leg to talk to someone on the street. She laughed, and her loveliness caught his breath. In 1940s ...Read MoreIt began when Lou Bigelow and Toby Maytree first met. He was back home in Provincetown after the war. Maytree first saw her on a bicycle. A red scarf, white shirt, skin clean as eggshell, wide eyes and mouth, shorts. She stopped and leaned on a leg to talk to someone on the street. She laughed, and her loveliness caught his breath. In 1940s Provincetown, on the tip of Cape Cod, poet Toby Maytree falls in love with Lou Bigelow at first sight. His slow courtship gradually wins her over, and so begins a love story that lasts decades. Surrounded by bohemian friends, living in Toby's shack on the dunes, the two marry, have a child. But when a friend first comes between them, then unexpectedly propels them back into one another's lives, they must each renegotiate what it means to love.Read Less
Good. 2008-Paperback-Used-Good--Shows some shelf-wear. May contain old price stickers or their residue, inscriptions or dedications from previous owners in first few pages and remainder marks.-. -Hall Street Books proudly ships from Brooklyn, NY. All orders are processed and shipped within 24 business hours, Mon-Fri. Expedited shipping and tracking available within the US. Hall Street's No-Worry guarantee lets you buy with confidence!
Dillard has been a favorite for many years. Often elusive and always challenging as a mystic should be, her writing provides moments of startling illumination, "candles struck momentarily in the dark" as Virginia Woolf stated. The Maytrees only adds to her oeuvre, a poetic tale of bonds, loss and overwhelming human passion to overcome individual obsessions with compassion and understanding.
Feb 7, 2008
I think you must have to have a special taste in order to appreciate this, and I am lacking in that kind of insight. It is more myth than novel, more poetry than narrative. Its characters are stylized rather than naturalistic, and it reminded me of the morality plays I studied in English Lit. It is not at all like her only other novel, The Living, which was long and almost Victorian. The plot involves a love that transcends infidelity; the emotional environment tends to perhaps the 60's. If you are very into Annie Dillard, you might like it, but it is not your usual book
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