Alessandra is not quite fifteen when her prosperous merchant father brings a young painter back with him from Holland to adorn the walls of the new family chapel. She is fascinated by his talents and envious of his abilities and opportunities to paint to the glory of God. Soon her love of art and her lively independence are luring her into closer ...
Alessandra is not quite fifteen when her prosperous merchant father brings a young painter back with him from Holland to adorn the walls of the new family chapel. She is fascinated by his talents and envious of his abilities and opportunities to paint to the glory of God. Soon her love of art and her lively independence are luring her into closer involvement with all sorts of taboo areas of life. On excursions into the streets of night-time Florence she observes a terrible evil stalking the city and witnesses the rise of the fiery young priest, Savanarola, who has set out to rid the city of vice, richness, even art itself. Alessandra must make crucial decisions about the shape of her adult life, as Florence itself must choose between the old ways of the luxury-loving Medicis and the asceticism of Savanorola. And through it all, there is the painter, whose love will change everything.
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Haven't finished reading yet, but all as I expected
Jun 30, 2007
What an opening line!
I can?t say I felt bowled over by this book, but I had a hard time putting it down. Like the young heroine, Alessandra Cecchi, I have little patience for the severely restricted world that women were allowed to experience in Florence in the late 1400?s. Born into the glory days of the Renaissance, as well as monk Savonarola?s holier-than-thou, violent reign of terror, Alessandra?s experiences are defined more than anything by her belief in god. She aspires to be a painter, but never is allowed to train with anyone since she?s a woman. This is all the more reason why she?s drawn to the artist her father brings to their palazzo from the north to paint their family chapel. Alessandra agrees to marry an older man in the hope of finding more freedom for herself, but alas, like so many women, she finds married life is not what she thought it would be! She?s a good example of how people do what they have to do, given the place and time they live in, and her clever slave Erila shows that some freedom and power can be found in unexpected places. Her husband Cristoforo, her mean-spirited brother Tomaso, and the artist her father hired all harbor big surprises for her. Worth reading.
Apr 3, 2007
Art, love, politics
Fascinating story set in 16th century Florence that paints a vivid picture of life in that time and place as seen through the eyes of a privileged young woman. I highly recommend it.
Publishers Weekly, 2003-12-15 In this arresting tale of art, love and betrayal in 15th-century Florence, the daughter of a wealthy cloth merchant seeks the freedom of marriage in order to paint, but finds that she may have bought her liberty at the cost of love and true fulfillment. Alessandra, 16, is tall, sharp-tongued and dauntingly clever. At first reluctant to agree to an arranged marriage, she changes her mind when she meets elegant 48-year-old Cristoforo, who is well-versed in art and literature. He promises to give her all the freedom she wants-and she finds out why on her wedding night. Her disappointment and frustration are soon overshadowed by the growing cloud of madness and violence hanging over Florence, nourished by the sermons of the fanatically pious Savonarola. As the wealthy purge their palazzos of "low" art and luxuries, Alessandra gives in to the dangerous attraction that draws her to a tormented young artist commissioned to paint her family's chapel. With details as rich as the brocade textiles that built Alessandra's family fortune, Dunant (Mapping the Edge; Transgressions; etc.) masterfully recreates Florence in the age of the original bonfire of the vanities. The novel moves to its climax as Savonarola's reign draws to a bloody close, with the final few chapters describing Alessandra's fate and hinting at the identity of her artist lover. While the story is rushed at the end, the author has a genius for peppering her narrative with little-known facts, and the deadpan dialogue lends a staccato verve to the swift-moving plot. Forget Baedecker and Vasari's Lives of the Artists. Dunant's vivid, gripping novel gives fresh life to a captivating age of glorious art and political turmoil. (Feb. 24) Forecast: Dunant's foray into historical fiction (she is best known for her literary suspense novels) will inevitably be compared to Girl with a Pearl Earring. Chevalier readers will certainly enjoy the novel, though its meatier historical background and more robust prose style set it apart. 11-city author tour. Copyright 2003 Reed Business Information.
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