Description:Good. 1990-Hardcover-Used-Good--Shows some shelf-wear. No Dust...Good. 1990-Hardcover-Used-Good--Shows some shelf-wear. No Dust Jacket, as issued by Publisher. May contain old price stickers or their residue, inscriptions or dedications from previous owners in first few pages and remainder marks.-. -Hall Street Books proudly ships from Brooklyn, NY. All orders are processed and shipped within 24 business hours, Mon-Fri. Expedited shipping and tracking available within the US. Hall Street's No-Worry guarantee lets you buy with confidence!
Description:F/NONE. 187828312X. Fine conditon. No DJ, as issued.; Exhibition...F/NONE. 187828312X. Fine conditon. No DJ, as issued.; Exhibition held November 30, 1990 to January 5, 1991. Very nice copy of this important work.; 4to 11"-13" tall.
Description:Very Good. The Pace Gallery, 1990. Hardcover in very good...Very Good. The Pace Gallery, 1990. Hardcover in very good condition. Tan paper over board binding with black lettering. Binding tight with clean and unmarked pages. Minimal wear to covers and to pages. Images in black and white as well as in color. Pages are not numbered.
Description:New. "De Kooning/Dubuffet: The Women" is an example of how some...New. "De Kooning/Dubuffet: The Women" is an example of how some of the best New York City galleries are making major museums seem ponderous and predictable. If a museum would ever organize an exhibition on the startling, creepy and sometimes painful images of women painted by Willem de Kooning and Jean Dubuffet in the aftermath of World War II, it might be more comprehensive and scholarly than this one, at the Pace Gallery, but it would probably not be as unpretentious and intimate. Although the focus of the show is narrow, its reach is unlimited. De Kooning and Dubuffet are famous and influential artists. The work of each, particularly de Kooning, still has the capacity to surprise and shock. In their images of women, both artists let themselves go, personally and pictorially. Juxtaposing their approaches to art, and their feelings about sexuality and women, clarifies not only their work, but also postwar French and American art. New. No dust jacket (as issued? )
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