While much of the artistic innovation of the last two decades centred on the image, today the greatest strides are being taken in three dimensions. Contemporary art maintains an ongoing fascination with the key issues of modern sculpture, from the readymade to the specific object, and artists today are returning to them again and again, with fresh ...
While much of the artistic innovation of the last two decades centred on the image, today the greatest strides are being taken in three dimensions. Contemporary art maintains an ongoing fascination with the key issues of modern sculpture, from the readymade to the specific object, and artists today are returning to them again and again, with fresh and often surprising results. At the same time, artists are striking out into new territory, harnessing the medium to confront today's commodity world in its own materials, from the Latin American junk assemblage of Marepe, Gabriel Kuri and Abraham Cruzvillegas to the wittily reworked objects of Peter Coffin, Tom Friedman and Allora & Calzadilla. Even before Rosalind's Krauss's landmark 1979 essay Sculpture in the Expanded Field the distinction between sculpture and its environment had already begun to dissolve.
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