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Thielmann: Beethoven Symphonies ()

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At a time when it seems that the contemporary movement for historically informed practices has won over most performers of Ludwig van Beethoven's nine symphonies, along comes Christian Thielemann to spin the clock back to the mindset of the mid-20th century. Interpreting the symphonies with a conventional, even hidebound, approach that bears no sign of late Classical scholarship (streamlined tempos, smaller orchestras, original instrumentation, or other aspects of the way the music was actually played in the composer's time), Thielemann presents a Beethoven that is rather more in the manner of Wilhelm Furtwängler than of, say, John Eliot Gardiner. Listeners who have not yet taken the plunge into authentic period practices may have wondered where the traditionalist could turn for old-fashioned, Teutonic performances that employ a full modern orchestra, conform to expected (i.e., slower) tempos, and generally have a homogenized orchestral blend with thick textures. Here is Thielemann, unapologetic and... Hide synopsis

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