Perfect for fans of The Great Gatsby, Tigers in Red Weather, and Curtis Sittenfield...1930s America, southern high society: Part love story, part coming-of-age novel, this is the moving, raw and exquisitely vivid story of an uncommon girl navigating a treacherous road to womanhood. Thea Atwell is fifteen years old in 1930, when, following a ...
Perfect for fans of The Great Gatsby, Tigers in Red Weather, and Curtis Sittenfield...1930s America, southern high society: Part love story, part coming-of-age novel, this is the moving, raw and exquisitely vivid story of an uncommon girl navigating a treacherous road to womanhood. Thea Atwell is fifteen years old in 1930, when, following a scandal for which she has been held responsible, she is 'exiled' from her wealthy and isolated Florida family to a debutante boarding school in the Blue Ridge Mountains of North Carolina. As Thea grapples with the truth about her role in the tragic events of 1929, she finds herself enmeshed in the world of the Yonahlossee Riding Camp, with its complex social strata ordered by money, beauty and equestrienne prowess; where young women are indoctrinated in the importance of 'female education' yet expected to be married by twenty-one; a world so rarified as to be rendered immune (at least on the surface) to the Depression looming at the periphery, all overseen by a young headmaster who has paid a high price for abandoning his own privileged roots...
Publishers Weekly, 2013-04-01 The setup for this debut novel is delectable: it's 1930, the country is tumbling into depression, and 15-year-old Thea has done something bad enough to get her sent from Florida to an elite year-round "camp" in North Carolina where, at least at first, the effects of the economy are kept at bay while affluent Southern girls become "ladies." DiScalfani, who grew up around horses, is at her best when recreating the intuition and strength of girls in the saddle. Otherwise Thea's narration feels flattened by history and the characters she encounters never achieve dimensionality. The build toward the revelation of Thea's crime is drawn out, sapping the reveal of drama, but the account of Thea's emerging sexuality provides meaningful reflections on the potency of teenage desire. Here too, however, DiScalfani seems distanced from her characters, relying on declarations such as "I was not weak," "I was angry," and "I was glum" when exploring the tension of conflicting feelings. Though there are many twists and turns, the prose numbs the pleasure of reading about even the most forbidden of Thea's trysts. Agent: Dorian Karchmar, WME Entertainment. (June) (c) Copyright PWxyz, LLC. All rights reserved.
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