"The Wild Places" is both an intellectual and a physical journey, and Macfarlane travels in time as well as space. Guided by monks, questers, scientists, philosophers, poets and artists, both living and dead, he explores our changing ideas of the wild. From the cliffs of Cape Wrath, to the holloways of Dorset, the storm-beaches of Norfolk, the ...Read More"The Wild Places" is both an intellectual and a physical journey, and Macfarlane travels in time as well as space. Guided by monks, questers, scientists, philosophers, poets and artists, both living and dead, he explores our changing ideas of the wild. From the cliffs of Cape Wrath, to the holloways of Dorset, the storm-beaches of Norfolk, the saltmarshes and estuaries of Essex, and the moors of Rannoch and the Pennines, his journeys become the conductors of people and cultures, past and present, who have had intense relationships with these places. Certain birds, animals, trees and objects - snow-hares, falcons, beeches, crows, suns, white stones - recur, and as it progresses this densely patterned book begins to bind tighter and tighter. At once a wonder voyage, an adventure story, an exercise in visionary cartography, and a work of natural history, "The Wild Places" is written in a style and a form as unusual as the places with which it is concerned. It also tells the story of a friendship, and of a loss. It mixes history, memory and landscape in a strange and beautiful evocation of wildness and its vital importance.Read Less
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Publishers Weekly, 2008-04-07 In this eloquent travelogue, Macfarlane (Mountains of the Mind) explores the last undomesticated landscapes in Britain and Ireland in a narration that blends history, memoir and meditation. Macfarlane journeys to salt marshes, mountaintops, forests, beaches, constantly expanding and refining his understanding of wildness. Walking a Lake District ridge at night, he observes that "with the stars falling plainly far above, it seemed to me that our estrangement from the dark was a great and serious loss." Crossing a moor, he finds its vastness and "resistance to straight lines of progress" analogous to the inability of mere words to convey a landscape's variety and immensity. Nonetheless, Macfarlane's language is as surprising and precise as his environments, with such evocative phrases as "heat jellying the air," "ice lidded the puddles" and descriptions of birds that "gild" a tree and the sky as "a steady tall blue." His striking prose not only evokes each locale's physicality in sensuous, deliberate detail, it glows with a reverence for nature in general and takes the reader on both a geographical and a philosophical journey, as mind-expanding as any of his wild places. (June) (c) Copyright PWxyz, LLC. All rights reserved
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