Excerpt: ...read Modern Love. Dinky-Dunk did not come to bed until late. I was awake when he came, but I didn't let him know it. Pg 150 Sunday the Twenty-ninth I haven't felt much like writing this last week. I scarcely know why. I think it's because Dinky-Dunk is on his dignity. He's getting thin, by the way. His cheek-bones show and his Adam's ...
Excerpt: ...read Modern Love. Dinky-Dunk did not come to bed until late. I was awake when he came, but I didn't let him know it. Pg 150 Sunday the Twenty-ninth I haven't felt much like writing this last week. I scarcely know why. I think it's because Dinky-Dunk is on his dignity. He's getting thin, by the way. His cheek-bones show and his Adam's apple sticks out. He's worried about his land payments, and I tell him he'd be happier with a half-section. But Dinky-Dunk wants wealth. And I can't help him much. I'm afraid I'm an encumbrance. And the stars make me lonely, and the prairie wind sometimes gives me the willies! And winter is coming. I'm afraid I'm out of my setting, as badly out of it as Percival Benson is. It wouldn't be so bad, I suppose, if I'd never seen such lovely corners of the world, before coming out here to be a dot on the wilderness. If I'd never had that heavenly summer at Fiesole, and those months with you at Corfu, and that winter in Rome with poor dear dead Katrinka! Sometimes I think of the nights we used to Pg 151 look out over Paris, from the roof above 'Tite Daneau's studio. And sometimes I think of the Pincio, with the band playing, and the carriages flashing, and the officers in uniform, and the milky white statues among the trees, and the golden mists of the late afternoon over the Immortal City. And I tell myself that it was all a dream. And then I feel that I am all a dream, and the prairie is a dream, and Paddy and Olie and Dinky-Dunk and all this new life is nothing more than a dream. Oh, Matilda Anne, I've been homesick this week, so unhappy and homesick for something
Good. Good/No Jacket 12mo-over 6''-7'' tall npd., c. 1915, olive cloth, color frontis, 317pp., (lt. wear to head+heel of spine+edges+corners bumped, page ends lt. soiled, name written inside front cover)
Very good. No dust jacket. Very good condition. Olive cloth with white lettering well-preserved. Cover corners a little worn. Foxing on fly leaf. Pages clean, binding firm. Pencilled inscription on inside flyleaf.
Good+ No Jacket. This is a olive cloth Classic Western book with white line illustration of front cover. It is copyright 1915 by the Curtis Publishing Co., and the Bobb-Merrill Co. The title page has "The Bobbs-Merrill Company Publishers", listed with H.T. Dunn as the illustrator. This edition is probably a First Edition in the A. L. Burt Binding. The condition of this hard cover is Good+, with no jacket. The cover is good with some age, and has some speckled wear. The spine is faded but the white lettering is very clear. It will still look great on the bookshelf. All of the pages are there, and the frontispiece which is in color, is very nice. The pages are very good, nice and white with some corner crease lines. The binding is holding but a little loose and has an upper gap. The spine is good, and is straight. There is wear on the corners and the spine ends, and one corner is bumped. In general this Classic Western book is very presentable condition, with even wear. Considering its age it is not bad at all. 317 pages.
Alibris, the Alibris logo, and Alibris.com are registered trademarks of Alibris, Inc.
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited, Baker & Taylor, Inc., or by their respective licensors, or by the publishers, or by their respective licensors. For personal use only. All rights reserved. All rights in images of books or other publications are reserved by the original copyright holders.