Fair. A readable copy only. All pages and the cover are intact, may not include dust jacket. Pages may include considerable notes in pen or have highlighting. Possible ex library copy. May not contain accessories.
Good in Good jacket. Cambridge, 1967. Brown cloth covered boards with black spine titles; mild edge wear; heavier wear to jacket edges with a small tear at the top edge; 8vo-over 7 3/4"-9 3/4" Tall; illustrations in black and white; Interior clean and unmarked; 216 pages.
Good. 1965 Hardcover illus. viii, 216 p. Former Library book. An outgrowth of the author's thesis, Harvard University.; Bibliographical references included in "Notes" (p. -211) Shows some signs of wear, and may have some markings on the inside. Shipped to over one million happy customers. Your purchase benefits world literacy!
Fine in Very Good jacket. Fine in rust cloth in a Very Good unchipped dust jacket, modest age toning. In depth study of Ben Jonson's masques as a serious art form--earlier scholars used to treat his court entertainments as documents in Renaissance intellectual history, Orgel treats them as literature, dramatic and poetic whole. Not price clipped. 216p.
Harvard University, 1967. 216 pages. 2nd printing of the 1st edition. Near Fine in Very Good dustjacket. Jacket has light edgewear, small closed edge tear, price blocked. Books is bright, tight and clean; no names, marks or tears. ISBN: B0007HF3GM.
Fine in Very Good dust jacket. A very pleasing hard cover copy, with no markings or signs of prior use. The excellent jacket, with just a touch of shelfwear, is protected by a mylar Brodart cover. Fast shipping world wide, with tracking number supplied to all US customers.
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